An evocative debut novel chronicles the lives and fortunes of four generations of Jewish women, as their stories span two continents, from Eastern Europe to modern-day Cleveland, and one young woman, Hannah Felber, struggles to resolve her troubled relationship with her mother. 17,500 first printing.
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In 1989, Katie Singer left her job as Writer in Residence at South Boston High School and headed west to write the story of a Jewish family, inspired by stories she has been collecting all her life. The result of her nine-year odyssey is The Wholeness of a Broken Heart, her first novel. Katie's work has been published in Lilith, Heresies, Sojourner, and the Jewish Women's 1997 Annual, among other publications. She lives in New Mexico.
A first novel revisits, over four generations, the exhaustively plumbed relationship between mothers and daughters who learn to accept each other only when it's almost too late. Told against the background of recent Jewish history, the tale this time has several narrators. The strongest is 29-year-old Hannah Fried, a writing teacher and poet who, as she struggles to understand mother Celia's increasingly bizarre treatment of her, tells her own as well the family's story. That story is supplemented by contributions from Great-grandmothers Leah, who died in the Holocaust, and Channa, who emigrated from Russia; from Grandmother Ida in Cleveland; from Hannahs own mother, Celia; and from such voices beyond the grave as Channa's miscarried Vitl; and as Leo, a camp survivor who briefly dated Celia, then commuted suicide. These ghostly contributions serve mostly to describe the Holocaust and the fate of those family members who were unable to escape it. Until she was 20, Hannah and her mother were extremely close, but then abruptly Celiawho had divorced Hannah's father Allan when Hannah was three and married gutless Normtells Hannah to move out of the house. For the next ten years, as she graduates, moves to Boston to write, teach, and eventually fall in love with Jonathan Lev, a photographer, Hannah struggles to understand Celia. She's close to Grandmother Ida, but otherwise she spends a great deal of time thinking about her unhappiness. Her mother seems to have been abused by her own father, Moe, and then wounded by Leo's suicide; so that, fearing her closeness to Hannah, she was driven to reject her. And yet Singers explanations for all her characters' behaviors remain strained and schematic, though Hannah does eventually get through to Mom, who grudgingly suggests she can come back into her lifeon her own terms, naturally. A novel written around an idea that, instead of liberating the tales possibilities, confines them like a kind of conceptual corset. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.
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