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The Far Euphrates is a beautiful, riddling examination of familial pain and fear and religious passion. Alexander's rabbi father uses the Bible to instruct him in language's beauties and complexity: "My father had started reading Genesis with me, slowly, in its original tongue, where the dotted vowels clustered like bees around the honeyed consonants. We read each sentence together, carefully, first in Hebrew, then in English, and finally in German." But Alexander is also aware of language's dangers and religion's rigidity. Later in the novel, following one tragic revelation too many, he has "the unpleasant feeling that even loving words are dangerous." And if words are dangerous, what about the historical and emotional reality they attempt to express? Stollman takes on large subjects in a small, heightened setting. In lesser hands, his quiet opera would descend into melodrama. Stollman doesn't even skirt that possibility.
Stollman has had works published in Story, The Yale Review, American Short Fiction, and Tikkun, among other publications. He also has a command of German and Hebrew.
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