In 1964, at age 21, Gerard Malanga was already a celebrity poet-photographer in Andy Warhol's Factory; he'd starred in Warhol movies and his poetry had appeared in such prestigious literary magazines as Poetry, Art & Literature, Partisan Review and The New Yorker. This monumental retrospective volume includes all the major highlights of Malanga's previously published work, plus many new or rediscovered poems appearing here in book form for the first time.
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Gerard Malanga, MD (Newark, NJ) Professor, Department of Physical Medicine and Rehabilitation, University of Medicine and Dentistry New Jersey.
Kenneth Mautner, MD (Atlanta, GA) Assistant Professor, Department of Physical Medicine and Rehabilitation, Emory University.
This 19th collection of poems from Malanga, the former Warhol Factory star and longtime photographer, gathers 36 years worth of poetry, much of it previously unpublished. Malanga's early work ranges from Ashbery-influenced image jamming to meditations on beauty and emptiness as filtered through fabulousness: "But why must they always/ Annihilate something/ Beautiful in themselves/ By misunderstanding my good/ Intentions to help them look/ After themselves?" Malanga clearly writes with a photographer's eye, with many of his poems seemingly inspired or written directly (and often intentionally flatly) out of photographic images: "the confusion of headlights/ Crossing each other are not/ Off in the eyes in the night,/ Exposure keeps corrupting every lifeline./ The May issue of French Vogue carries a cover of Deborah Dixon." However, like many of his contemporaries from the Factory and the earliest incarnations of the Poetry Project at St. Mark's Church, Malanga often uses friendship and personal iconography as an emotional grid upon which his poems are set: "John rolls a joint and thinks/ About what time the mail is due to arrive/ Rene wraps himself up in a bedsheet/ Benedetta calls to let me know when to call her tonight." Malanga's later work, including a short section of poems written in and about the war in Bosnia-Herzegovina, moves toward the elegiac, as the names from Malanga's poems start to fade: "so this is half a poem/ not existing. So this is Bill speaking,/ so this is not quite finished,/ not quite begun./ `All past is fiction.'/ The cut-ups are drifting away." Despite the wry title, Malanga deserves recognition for nearly 40 years of obsessive documentation and genuine poetic invention. (Oct.) Forecast: As one of a dwindling number of Factory survivors, Malanga still makes for good copy, especially given the plethora of Warhol books coming this fall (from Wayne Koestenbaum and Annette Michaelson, among others). University libraries will add this title as Warholiana, but poets and others interested in the era will pick it up for its wonderfully versified dish.
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Paperback. Condition: new. Paperback. In 1964, at age 21, Gerard Malanga was already a celebrity poet-photographer in Andy Warhol's Factory; he'd starred in Warhol movies and his poetry had appeared in such prestigious literary magazines as Poetry, Art & Literature, Partisan Review and The New Yorker. This monumental retrospective volume includes all the major highlights of Malanga's previously published work, plus many new or rediscovered poems appearing here in book form for the first time. This is a collection of poetry by poet and Warhol celebrity, Gerard Malanga. The poems span a period of almost 40 years, and include all the major highlights of Malanga's work together with new poems, appearing in book form for the first time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781574231625
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