New York isn't what it used to be, so why haven't New York's photographers and photographic books caught up with reality? Why do picture-makers continue to mimic the gritty glamour and aggression of William Klein's New York images, or stalk up and down Fifth and Madison Avenues paying peculiar homage to Garry Winogrand, or struggle to rediscover the romance of Nan Goldin's Lower East Side, on streets now clogged with Starbucks and designers' tenement-scaled emporia?
What makes Mitch Epstein's most recent book, The City, particularly interesting is witnessing Epstein's attempt to breathe life back into a classic, albeit tired, genre. Instead of the usual raucous juxtapositions of visual clichés—pictures crammed with street corner sturm und drang and urban gargoyles—The City's elliptical narrative unfolds quietly. There's a meditative, almost medicated calmness to the book's color still lifes and cityscapes: the droll display of overwrought deli cakes; a street festival shooting gallery's targets, featuring the faces of Timothy McVeigh, Amy Fisher and Hitler, offering discounted prices for kids; the sports jacket, carefully folded and placed on the grass in Central Park, whose banal but eerie presence suggests anything from a lunchtime nap to murder.
To complicate matters, these images are interspersed with black-and-white portraits—of Epstein's wife, daughter, friends and acquaintances—that are equally enigmatic. Some subjects smile; some look into the distance. Still others stare back—with willful intent, or unable or uninterested in hiding their vulnerability—through the camera's lens. As complex and beautiful as Epstein's photographs of New York situations are, as intimate as his portraits might be, The City ultimately creates something surprising; the opportunity to ponder what photography can and cannot reveal about our public lives and our most private selves.By Marvin Heiferman
"synopsis" may belong to another edition of this title.
With 85 full-page color and black-and-white photographs, Epstein (Vietnam: A Book of Changes), whose images are held by major museums and who has worked as a cinematographer and production designer on films such as Salaam Bombay!, presents his views of New York City between 1995 and 2001. Color photographs depict the commonplace, grittier sights of New York crumbling buildings, littered streets and sidewalks, graffiti-covered walls, a multicultural populace whereas the duotones are portraits of friends and colleagues. There are views taken from the intimate distance of one apartment building to another, as well as views across the city. The stark, often compelling images convey the isolation, loneliness, and tensions endemic to complex, densely packed urban locations. Unfortunately, there is no introductory essay or written statement by the photographer, two brief stanzas of poetry and the acknowledgments being the only textual material. An optional choice for general collections. Joan Levin, MLS, Chicago
Copyright 2001 Reed Business Information, Inc.
"About this title" may belong to another edition of this title.
Seller: Goodwill of Colorado, COLORADO SPRINGS, CO, U.S.A.
Condition: good. All pages and cover are intact. Dust jacket included if applicable, though it may be missing on hardcover editions. Spine and cover may show minor signs of wear including scuff marks, curls or bends to corners as well as cosmetic blemishes including stickers. Pages may contain limited notes or highlighting. "From the library of" labels may be present. Shrink wrap, dust covers, or boxed set packaging may be missing. Bundled media e.g., CDs, DVDs, access codes may not be included. Seller Inventory # COLV.1576871010.G
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, unpaginated, very good condition except very light impressions and scratches to dj; no internal marks. Foreign shipping may be extra. Seller Inventory # MiEppo30
Seller: A Book Preserve/ John A. Crider, Bookseller, Columbus, OH, U.S.A.
Hardcover. Condition: Near Fine. 1st Edition. First Printing. Near fine hardcover in VG+ dustjacket. Powerhouse, 2001. No ownership or remainder marks. Lower corner of pages slightly bumped. Ships fast with tracking. Seller Inventory # E02-567-09-009
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition. First edition and first printing. Oblong hardcover. A collection of 85 four color images of New York City taken between 1995 through 1999. A clean near fine copy in blue cloth boards and in very near fine dust jacket. Seller Inventory # 215757
Seller: Gleebooks, Sydney, NSW, Australia
Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st Edition. Unpaginated [112pp.], b/w and colour photographs. A collection of images of New York City taken between 1995 through 1999. Lightly age toned text block else fine in like Dustjacket.(BH) 7/2026. Seller Inventory # ABE-1784331758260
Quantity: 1 available
Seller: Great Books&Cafe @ The Williamsford Mill, Williamsford, ON, Canada
Cloth. Condition: Fine. Dust Jacket Condition: Fine. unpaginated. "a visual poem to New York City" Magnificent b&w and color photos. Seller Inventory # 006989
Quantity: 1 available
Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.
hardcover. Condition: New. In shrink wrap. Looks like an interesting title! Seller Inventory # Q-1576871010
Seller: A&D Books, South Orange, NJ, U.S.A.
Hardcover. SIGNED. First edition, first printing. Fine/As New clothbound hardcover in a Fine/As New dust jacket, protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Photographs by Mitch Epstein, taken on the streets of NYC between 1995 and 2001 and portraits. The New York Times: "Epstein captures magical, often subtly comic moments." SIGNED BY EPSTEIN on the title page, inscribed, and dated in 2004. 112 pages; 85 full-page color plates; 12 x 9.5 inches. LAID-IN are four exhibition announcement cards featuring work by Epstein, one from 1995. Seller Inventory # 14264