About the Author:
Ellen Jong picked up her first camera in her senior year at Bronx High School of Science, in her hometown of New York City. Jong’s work has been published in Vogue, In Style, Surface, Anthem, and The Fader, and has been exhibited at Art Basel Miami Beach, the:artist:network, Mynt Ultra Lounge, Milk Studios, and Deitch Projects. Most recently, her artistic experiments in multi-media and interactive installation have appeared in the Scope Art Fair NY in 2005. Jong lives and works in New York City.
Annie Sprinkle is a prostitute/porn star turned performance artist/sexologist. She has passionately researched and explored sexuality in all of its glorious and inglorious forms for 30 years, and has shared her findings along the way by producing and starring in her own unique brand of sex films and photographic work, teaching workshops, and college lectures. She is also an internationally-acclaimed performance artist who tours one-woman shows about her life in sex. She was one of the pivotal players in the "sex-positive feminist movement" of the 1980s. She is the author of three books. Sprinkle is based in San Francisco, CA.
From Publishers Weekly:
A photographer and multimedia artist whose work has appeared in Vogue and Playgirl, Jong likes to pee in public places. At first glance, this book of photos documenting her urinary exploits seems like a one-trick pony, but Jong's humor, charm and sense of beauty cumulatively create a rich experience. Grungy urban locales alternately elicit disgust, giggles and titillation; a stream of golden drops pouring into gravel by a reedy pond is lyrically gorgeous. Jong relieves herself in New York City, Hawaii, Shanghai, Mexico and Florida; in city, suburbia, on the beach and, doglike, into snow. The captionless photos are interrupted by Jong's interview of ex-prostitute/sex maven/performance artist Annie Sprinkle, whose name may be inspired by her own public peeing performances, and who categorizes Jong's work as "post-porn:" "sex- or body-oriented material that goes beyond mainstream porn or erotica." In fact, these photos are more likely to be funny, pretty or childishly mischievous than erotic. Jong writes of "peeing as a means to reevaluate the spaces I find myself in—to make them my own," and the peace in release. Balancing precariously between aesthetic exploration, hip party prank and self-indulgent performance art, this book is apt to annoy those who aren't enchanted by it. (May)
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