About the Author:
Marty Regan is assistant professor of music at Texas A&M University; Philip Flavin is a research fellow in the School of Languages, Cultures and Linguistics at Monash University, Australia.
Review:
An invaluable resource for all composers, scholars, and performers who are interested in Japanese instruments. The aptly chosen examples from both traditional repertoire and Miki's own contemporary pieces, clear charts for ranges and fingerings, and in-depth discussion of idiomatic performance techniques go a long way to help demystify these beautiful instruments. I wish I had this book many, many years ago. --Ken Ueno, Rome Prize-winning composer and Professor at the University of California, Berkeley Composing for Japanese Instruments is a well-organized and systematic manual on how to approach, listen to, and compose for traditional Japanese instruments. When Minoru Miki first published it in 1996, he brought alive the arcane world of traditional Japanese instruments and music for a new generation of Japanese composers. Now, with the English edition, composers and scholars from around the world will have the same opportunity to discover and utilize the rich musical possibilities inherent in these beautiful instruments. --Christopher Yohmei Blasdel, Shakuhachi performer, Artistic Director, The International House of Japan, Inc. This is the book I've always wished to have. It is not only complete in teaching about Japanese instruments but also challenging and inspiring for those of us who have an interest in new sounds and ways of making music. --Hyo-shin Na, composer A most welcome addition to the few items available in English concerning Japanese musical instruments. --Philip Gelb, composer and shakuhachi player
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