A beautiful novel detailing the life and loves of a Pakistani girl living in the U.S.
Aliya may not have inherited her family's patrician looks, but she is as much a prey to the legends of her family that stretch back to the days of Timur Lang. Aristocratic and eccentric-the clan has plenty of stories to tell, and secrets to hide.
Like salt and saffron, which both flavor food but in slightly different ways, it is the small, subtle differences that cause the most trouble in Aliya's family. The family problems and scandals caused by these minute differences echo the history of the sub-continent and the story of Partition.
A superb storyteller, Kamila Shamsie writes with warmth and gusto. Through the many anecdotes about Pakistani family life, she hints at the larger tale of a divided nation. Spanning the subcontinent from the Muslim invasions to the Partition, this is a magical novel about the shapes stories can take- turning into myths, appearing in history books and entering into our lives.
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Kamila Shamsie is the author of several novels: In the City by the Sea; Kartography (both shortlisted for the John Llewellyn Rhys Prize); Salt and Saffron; Broken Verses and Burnt Shadows which was shortlisted for the Orange Prize for Fiction and has been translated into more than twenty languages. Three of her novels have received awards from Pakistan's Academy of Letters. She is a Fellow of the Royal Society of Literature and in 2013 was named a Granta's Best of Young British Novelist. She grew up in Karachi and now lives in London.
Clever, witty and inventive, this engaging novel tackles the challenges of reconciling one culture's progressive values with another's allegiance to family and tradition. Shamsie, well-known in her native Pakistan for a prize-winning first novel, In the City by the Sea, writes about Anglo-Indian culture clash with a subtlety and wit that recall Rushdie. Aliya, just graduated from an American college, heads home for the summer to her family in Pakistan for another kind of education, this one focused on the dynamics of class and love and directed by her well-heeled but intolerant relatives. While lively, likable characters with a shared passion for relaying stories from the family's colorful past, Aliya's kin annoy her with their disdain for those who do not share their distinguished lineage. The storied family curse of "not-quite-twins," relatives close in age who share a cosmic connection and disgrace the family's name, becomes more threat than myth when an aunt labels Aliya and her beloved cousin, Mariam Apa, as "not-quites." Indeed, Aliya has been bitterly estranged from a number of her relatives, especially her grandmother Dadi, since their scornful rejection of Mariam, a near-mute who eloped with the family cook. When Aliya finds herself drawn to a Westernized Pakistani whose parents hail from the slums of Karachi, her disillusionment with her family's snobbery and her identification with the unfortunate Mariam intensifies. However, as Aliya leans more about her family's tangled history, especially her grandmother's life and the three men at the center of it brothers divided by India and Pakistan's separation she learns that she, too, has been quick to judge. Her family turns out to be more passionate and complex than Aliya assumes, just as this winning novel resonates more deeply than its lighthearted tone would suggest. (Sept.)
Copyright 2000 Reed Business Information, Inc.
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