Sex. Money. Horses.
Every year, on Valentine's Day, the great Thoroughbred farms open their breeding sheds and begin their primary business. For the next one hundred and fifty days, the cries of stallions and the vigorous encouragement of their handlers echo through breeding country, from the gentle hills of Kentucky to the rich valleys of California. Stud takes us into this strange and seductive world of horse breeding. We meet the world's leading sire, Storm Cat, the Triple Crown winner, Seattle Slew, and a nearly unmanageable colt, Devil Begone, who has found peace and prosperity on the banks of the Rio Grande servicing desert mares like Patty O'Furniture. Cheap stud, top stud, old stud, wild stud, from the Hall of Fame horse to the harem stallion with his feral herd, Stud looks at intimate acts in idyllic settings and the billion-dollar business behind them.
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Kevin Conley is an editor at The New Yorker. His writing has appeared in the New York Times Magazine, Sports Illustrated, and The New Yorker. He lives in Brooklyn with his wife, Amy, and their two children, Sara and Max.
Funny, insightful and surprisingly engaging, this part travelogue on Kentucky bluegrass country and part guide to equine breeding offers far more than one might initially expect. The world's priciest stud, Storm Cat (a direct descendant of Secretariat), earns a whopping $500,000 per tryst. The randy stallion's "muck" is used by Campbell Soup to fertilize its mushroom fields. Conley, a New Yorker staff writer, takes readers to an auction where two camps a stoic group of Irishmen known in horse circles as "the boys" and a modish collection of sheikhs inexplicably called "the Doobie Brothers" square off on fillies and colts fetching upwards of $3 million. But Conley doesn't stop there: he considers the advancement of civilization through the history of horses. He argues that through horse trading the nomads of Kazakhstan brought their proto-Indo-European language to most of Europe and South Asia. "History had begun," he writes, "built on the way a horse can cover ground." Conley also illustrates the racial and socioeconomic backdrop of horse country with rather telling accounts of the interactions between black and white, blue collar and blueblood that shape the equine community. The upshot is a vividly equine-centric view of social, cultural and economic human history.
Copyright 2002 Cahners Business Information, Inc.
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