After a ten-year silence, Mary Robison has emerged with a novel so beguiling and funny that it has brought critics and her live-reading audiences to their feet. Why Did I Ever takes us along on the darkest of private journeys. The story, told by a woman named Money Breton, is submitted like a furious and persuasive diary-a tale as fierce and taut as its fictional teller.
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Mary Robison was born in Washington, D.C. She graduated from Johns Hopkins, where she studied with John Barth. She is the recipient of a Guggenheim Fellowship, two Pushcart Prizes, an O. Henry Award, and the Los Angeles Times Book Prize for Fiction. She is the author of three previous novels, Oh! (1981), Subtraction (1991), and Why Did I Ever (2001), and of four story collections, Days (1979), An Amateur’s Guide to the Night (1983), Believe Them (1988), and Tell Me (2002). Robison has written for Hollywood and has been a contributor to The New Yorker since 1977. She lives in Gainesville, Florida.
In her first novel in a decade, Robison, a writer with switchblade wit, unveils the helter-skelter consciousness of Money Breton. The cynical veteran of three marriages and the mother of two screwed-up adult children, Money, still a man-magnet, is a Hollywood script doctor who commutes from a small town somewhere outside New Orleans. When she isn't pretending to work, she holds surreal conversations with the Deaf Lady, trades insults with two persistent suitors, frets over her missing cat, and takes out her fear and anger on household objects. Money's gay son, Paulie, has been tortured and raped and is currently in police custody. Mev, Money's lawyer daughter, is struggling with a methadone habit. Crazy with worry and embroiled in the maddening revision of an idiotic script about Bigfoot, Money riffs with a caustic yet deadpan humor not unlike that of Lynda Barry on men, movies, traffic, airlines, and life in general in 572 terse, numbered, and jabbing paragraphs. Robison's incandescent soliloquy on the absurdity of existence hones fiction to a new and exhilarating measure of sharpness. Donna Seaman
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