Poems Seven: New and Complete Poetry, the winner of the National Book Award, presents the life work of a giant of American letters, tracks a forty-year career of honest, tough artistry, and shows a man at nearly 80 years of age and still at the height of his poetic power. Dugan’s new poems continue his career-long concerns with renewed vigor: the poet’s insistence that art is a grounded practice threatened by pretension, the wry wit, the jibes at the academic and sententious, and the arresting observations on the quotidian battles of life. All the while he peppers his poems with humorous images of the grim and daunting topics of existential emptiness.
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ALAN DUGAN’s first book, Poems, won the Yale Series of Younger Poets prize. Dugan has won the National Book Award (twice), the Pulitzer Prize, the Prix de Rome, and an award in literature from the American Academy and the Institute of Arts and Letters. He has been a fellow of the American Academy in Rome, the recipient of two Guggenheim Foundation fellowships, and a grant from the Rockefeller Foundation. He died in 2003.
Dugan's 1961 Poems (that year's Yale Younger Poets winner) turned much of the poetry establishment on its ear: Dugan's irreverent or cynical poems, full of horse sense and completely resistant to gloss, spoke to a community of readers soured on old forms and unattached to new ones. A celebration of spring showed how "the skunk cabbage generates its/ frost-thawing fart-gas in New Jersey and the first/ crocuses appear..." Other poems attacked America's growing involvement in Vietnam, and still others treated sex in memorably, newly flippant ways: "In spring when the ego arose from the genitals/ after a winter's refrigeration, the sergeants/ were angry..." Subsequent books (Poems Two, Poems Three and so on) continued Dugan's project of comic, bleak and formally varied commentary on a dirty, terminally frayed and yet attractive America. Yet Dugan remained aloof from the academy; as a result, his profile gradually dimmed, though he retained an enthused (and amused) core of fans, among them ex-Poet Laureate Robert Pinsky. This carefully constructed, funny and sometimes unvarying volume combines all six of Dugan's previous books with a decade's worth of new verse. One of the best of the new poems finds a domestic urgency: "Don't walk barefoot in the bathroom," it advises; "There was someone in the mirror who I killed." "You'll find in my Collected Poems," another new poem explains, "the palliative answer/ to your stupid questions": many readers just might, and the book's nomination as a National Book Award finalist should bring more of them to it.
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