For nearly twenty-five years, poet Baron Wormser and his family lived in a house in Maine with no electricity or running water. They grew much of their own food, carried water by hand, and read by the light of kerosene lamps. They considered themselves part of the “back to the land” movement, but their choice to live off the grid was neither statement nor protest: they simply had built their house too far from the road and could not afford to bring in power lines. Over the years, they settled in to a life that centered on what Thoreau called “the essential facts.” In this graceful meditation, Wormser similarly spurns ideology in favor of observation, exploration, and reflection. “When we look for one thread of motive,” he writes, “we are, in all likelihood, deceiving ourselves.” His refusal to be satisfied with the obvious explanation, the single thread of motive, makes him a keen and sympathetic observer of his neighbors and community, a perceptive reader of poetry and literature, and an honest and unselfconscious analyst of his own responses to the natural world. The result is a series of candid personal essays on community and isolation, nature, civilization, and poetry.
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BARON WORMSER was Poet Laureate of Maine from 2000 to 2005. He is the author of seven books of poetry, most recently Carthage (2005), and the co-author of two books about teaching poetry. He directs the Frost Place Conference on Poetry and Teaching and the Frost Place Seminar, and he is on the faculty of the Stonecoast MFA program. He lives with his wife in Hallowell, Maine.
Former Maine poet laureate Wormser reveals the life he and his family enjoyed living "off the grid" for 20 years in this charming memoir. They decided to forego electricity and running water both for economic reasons and due to the determination to live deeply connected to the land. Wormser spares his readers any well-worn rants about "back to nature" lifestyles and instead recounts their early failures and successes ("I didn't know there was such a thing as a chainsaw until I moved to rural Maine"). With a day job as a librarian, Wormser found himself returning to poetry and achieving literary success. His ruminations on crafting poems and thoughtful considerations of the value of literature will be of great interest to readers and fellow writers. Wormser counters any comparisons to Thoreau and, in fact, has a far greater sense of humor than the iconic backwoodsman, but his endearing memoir about living simply yet richly in woods he clearly loves certainly does extend the tradition Thoreau exemplifies. Colleen Mondor
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