Items related to Mitchell on Trumpet - Book 4 with CD

Mitchell on Trumpet - Book 4 with CD - Softcover

Harold Mitchell

 
9781585607228: Mitchell on Trumpet - Book 4 with CD

Synopsis

Mitchell on Trumpet is revered by educators around the globe and stands unequaled by any other published approach for trumpet. This proven curriculum will guide any ambitious student on a path towards performance excellence. It takes you from the beginning to the extreme limits of the horn through a gradual progression of 82 balanced lessons developing your range from low F# to G above high C. Mitchell on Trumpet - Book 4 is the final chapter of this exciting journey beginning with Lesson 64 and continues with many advanced concepts while extending the student's range to Double High G. The exercises and studies cover all phases of playing with the ultimate goal of acquiring and maintaining a strong flexible embouchure. The included CD contains every possible combinations of the final tune in the book, The Flight of the Bumblebee, arranged for Trumpet and Piano, written in two Concert keys, G minor and A minor. Pappy often said, Perfect practice makes perfect, careless practice makes mediocrity, and no practice makes nothing. Since every individual has their own unique set of strengths and challenges, the time necessary to devote to studying this method will vary from student to student. The important thing is to establish a structured schedule that is appropriate for you. There are countless professionals, educators, and performers who claim that Mitchell on Trumpet is the most complete trumpet method ever written. The student who completes Mitchell's Method will be among a select few who possess the endurance, technique, and flexibility needed to conquer any obstacle that they may encounter in any musical passage ever written for trumpet. This Book 4 as well as all others in the series is dedicated to Harold's son, Ollie Mitchell. His tireless pursuit to see his Pappy's work published and brought back to life for future generations of professional artists is one of the many reasons that we at Santorella Publications feel it is our obligation to forge forward. Ollie touched so many lives in his lifetime, as did his father, but as fate would have it, Ollie was peacefully reunited with his Pappy when he passed away at home surrounded by family and friends on May 11, 2013. To follow is a sampling of the many endorsements received for Mitchell on Trumpet. 1. This magnificent method that will prepare the player for whatever they may encounter. The well designed lessons & melodic exercises maintain the students' interest while keeping the mind attentive to the most important fundamentals of the instrument. Gary Grant: Studio Player & Member of the Jerry Hey Horn Section. 2. Upon beginning Mitchell on Trumpet I was amazed at how quickly my reading skills & physical capabilities improved. I recommend this marvelous approach for trumpet players of any discipline. Bob Strickland: Jazz Trumpet Performer & Recording Artist from Everett, WA. 3. Having used all 4 volumes of Mitchell's Method. I feel it is the most comprehensive treatise I've ever seen. My students have had considerable success from the etudes & studies. This method has made a monumental contribution to trumpet instruction. Col. Gilbert Mitchell: U.S. Army Band. 4. As a Freelance Musician in L.A., I must be able to play all styles of Music. Pappy's approach is perfect for obtaining endurance, flexibility, accuracy, and range. I highly recommend this method to all students & professionals. Bob O'Donnell: One of Today's L.A. Freelance Players in Demand. 5. My teacher Leo De Mers introduced me to Mitchell on Trumpet. Until then I had only played out of the Arban's book. The difference with Pappy's approach was how musical the lessons were. The knowledge I gained gave me the confidence to play anything. I highly recommend these books to every trumpet player. Rick Baptist: L.A. Lead Player for Dancing with the Stars.

"synopsis" may belong to another edition of this title.

About the Author

Harold E. Mitchell was born on January 5, 1898. His professional career took him from the stages of Vaudeville, to the sound booths of the Talkies, to the production studios of Epic Film, and finally to the role of mentor to many young musicians. Mitchell was a highly respected artist and widely recognized teacher. Pappy, as he was referred to by those who knew him was not only an exceptional artist & educator, but also the author of this extremely effective masterwork for learning to play the trumpet. Mitchell learned to play the cornet in junior high school, but had never intended to become a professional musician. Drafted into the Army during World War I, he was released from service just a few days later when the Armistice was signed. Shortly thereafter, he toured the entire country for 52 weeks by train with a successful musical comedy show. During this extended road trip, he would seek out every major brass teacher of his era including Alfred Weldon, Ernest Williams, Richard Shuebruk, Dale Stagers, William Thieck & Herbert L. Clarke. Upon his return, the Vaudeville era was in full swing. For the next few years, Mitchell worked many live shows and played in the pit for numerous silent movies, stage plays, and musicals. By the time he was in his early 20's, young Harold had now become astutely aware of his ambitions. In a short time, he became the one of the most sought after trumpet players in the Vaudeville & Theater circuits. In 1927, Hollywood changed forever when the studios learned how to add soundtracks to their pictures. This new technology was a significant advancement in film which became known as the Talkies. The major Vaudeville Theatres in L.A. always called Pappy first when they needed a lead trumpet player, so when the film studios asked them which musicians they should hire, Pappy was on the top of the list. When he entered his first sound stage, it was to begin recording for the groundbreaking film, The Jazz Singer. The completion of this project was a pivotal moment for film and became the catapult for Pappy's career. Once synchronized sound became the new standard for film, Pappy was already established as the most requested trumpeter in demand. Over the next two decades, Pappy continued his work in film at all the major studios, including MGM, Paramount & Warner Bros., and began teaching select students. His film credits include The Jazz Singer, The Wizard of Oz, Gone with the Wind, and King Kong, as well as numerous Westerns, Disney Cartoons & other well-known films. He became known as the Dean of West Coast Brass Players by his peers since he had played 1st trumpet for every major studio in Los Angeles. Pappy retained his reputation as one of the most devoted teachers in the country and Hollywood s busiest trumpet player until he retired from MGM Studios in 1947. By the age of 49, he had traveled the globe and was widely recognized by musicians, artists & educators worldwide. Mitchell actually increased his activity after his retirement, spending the next twelve years writing his method while continuing to maintain a rigorous teaching schedule. His notable students included Robert DiVall, Elden Benge, Herb Alpert, and Pappy's son, Ollie Mitchell, who himself made his own mark in the 60's, 70's & 80's as one of the top studio players in L.A. Pappy lived during an exciting time when musicians played a vital role in popular entertainment. It was a nostalgic era of live performances in music and theater. Mitchell on Trumpet is the culmination of Pappy's life's work and is highly acclaimed by many professionals, educators & artists. It remains to this day as the only complete course ever written which stresses the importance of attaining & maintaining a strong flexible embouchure & developing the positive mental attitude necessary to perform proficiently in any playing situation.

"About this title" may belong to another edition of this title.