Murder, love, betrayal, and some of the world’s most beautiful objets d’art come together in Juan Manuel de Prada's tempestuous, prize-winning novel set in Europe’s quintessentially enigmatic city: Venice. Alejandro Ballesteros, a young Spanish art historian, arrives in wintry Venice to study Giorgione's painting “The Tempest,” but on his first day there, he witnesses a shocking murder and is propelled into a dangerous web that brings together the city's rarified academic world and a master forger. Exploring the boundaries between art and reality, intellect and passion, The Tempest is a mesmerizing and thought-provoking novel by one of Spain’s most gifted new writers.
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Prada was born in Spain and won the Planeta Prize in 1997 and the Primavera Prize in 2003.
An art historian's trip to Venice to study a landmark painting turns into an effort to solve a murder mystery in this intelligent but murky second novel by Spanish writer de Prada (his first to be published in English), which mixes elements of crime fiction with musings on the process of evaluating great art. Alejandro Ballesteros is the Spanish protagonist who arrives in Italy to study The Tempest, a painting by Renaissance artist Giorgione that represented an important breakthrough in the use of landscape. But Ballesteros's expectations for a quiet academic interlude are overturned when he witnesses the murder of art dealer Fabio Valenzin and is caught up in the subsequent investigation. The na‹ve art historian is fascinated by the intrigue at first, especially when it leads to a series of romantic and erotic interludes, the most significant with an art restorer named Chiara who turns out to be Valenzin's adopted daughter. The case bogs down in a morass of local politics, but is finally revealed to turn on the contents of a chest belonging to Valenzin that contains clues to a well-crafted, diabolical forgery plot. De Prada does a good job balancing the murder mystery with his exploration of the history of Giorgione's painting, but the romantic tangents make the book cluttered and busy. An ensemble cast of eccentric secondary characters and a foggy, evocative portrayal of Venice help blur the missteps, and the murder resolution is reasonably satisfying if somewhat slow to arrive.
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