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The First Time I Got Paid For It : Writers' Tales From The Hollywood Trenches - Hardcover

Goldman, William; Shapiro, Laura J.; Lefcourt, Peter

  • 3.51 out of 5 stars
    157 ratings by Goodreads
 
9781586480134: The First Time I Got Paid For It : Writers' Tales From The Hollywood Trenches

Synopsis

The First Time I Got Paid For It is an unprecedented collection of essays by over 50 leading film and television writers, edited by Laura Shapiro and Peter Lefcourt for the Writers Guild Foundation, with an introduction by screenwriting legend William Goldman. Linked by the theme of a writer's "first time"--usually the first time they got paid for their work, but sometimes veering off into other, more unconventional, "first times," these essays examine what it takes to succeed, what it takes to write well, and other aspects of maintaining creativity and integrity while striving for a career in Hollywood. Richard LaGravanese (The Fisher King, The Horse Whisperer, Living Out Loud) confesses that his first paying writing job was crafting phone sex scripts. Nicholas Kazan (Reversal of Fortune, Mathilda) explains why, in Hollywood, a verbal "yes" often turns out to be a written "no." Peter Casey writes about the unparalleled pitch meeting for the award-winning NBC series Frasier. Virtually every big name writer in Hollywood has contributed to this collection; it is essential research material for anyone trying to make it in the entertainment industry, and a perfect read for movie buffs everywhere.

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About the Author

Peter Lefcourt is a screenwriter and the author of numerous novels including The Woody and The Dreyfus Affair. Screenwriting legend William Goldman is also the author of the megabestselling book Adventures in the Screen Trade.

From the Inside Flap

"provides a remarkable cross-section of the industry . . . it just may soften the hearts of a producer or two when the two sides meet across the bargaining table." --Variety, September, 25-October 1, 2000

Reviews

This delectable collection of entertaining essays by more than 50 TV and screenwriters is a treat not only for neophytes hoping to break into the business, but also for film buffs. While most of the contributors write about their first paying job in the profession, many of the tastiest tales venture off to detail other "firsts": Chuck Lorre (Roseanne; Cybill) hilariously recalls the first time he was fired (from a Beany & Cecil revival show); Melville Shavelson recollects the first time he was sued (by former First Lady Mamie Eisenhower to stop the filming of a movie about the Ike-Kay Summersby affair); and 12-time Emmy winner Carl Reiner remembers getting $1,000 to write his first novel, Enter Laughing. Many of the short pieces create suspense by withholding the name of a long-delayed or much-rewritten project until the very end. One of the best stories illustrating Hollywood's fickle nature is Australian Jan Sardi's piece on being at the center of a fierce bidding war over Shine; it concludes with the sobering fact that, over 12 years, he's had six movies produced in Australia but none in America. Each reminiscence is only a few pages long (Michael Tolkin's biography at the end of his recollection is almost as long as his story), which keeps the pace quick and the writing lively. The sassy title, eye-catching faux noir cover art and the impressive list of contributors (Steven Bochco, Eric Bogosian, Cameron Crowe, Delia Ephron, Larry Gelbart, Lawrence Kasdan and Joan Tewkesbury are just a few listed on the back cover) make this a compelling item for film buffs.
Copyright 2000 Reed Business Information, Inc.

Showbiz mavens ought to like the inside poop this gathering of script scribblers' testimonies serves up. Cop show master Steven Bochco remembers his first writing job, which involved stretching "unsold one-hour pilots and anthological [sic ] dramas into two-hour movies" for a "cigar-chomping veteran producer" who pronounced his given name "Stiff." Youth culture chronicler supreme Cameron Crowe registers his memories of discovering that his first movie, Fast Times at Ridgemont High, was a hit in the sticks, though it had tanked at an L.A. preview. M*A*S*H TV veterans Larry Gelbart and Alan Alda expound, though only Alda talks about the long-lasting hit series: he cites Schnitzler's La Ronde as the inspiration for the episode he wrote about a pair of long johns being passed around during the frigid Korean winter. Other contributors include Eric Bogosian, Gary David Goldberg, and Carl Reiner. Great vocational reading for scripting wanna-bes. Mike Tribby
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