In A Great Idea at the Time Alex Beam explores the Great Books mania, in an entertaining and strangely poignant portrait of American popular culture on the threshold of the television age. Populated with memorable characters, A Great Idea at the Time will leave readers asking themselves: Have I read Lucretius's De Rerum Natura lately? If not, why not?
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Alex Beam clearly has an eye for definitive and damning details: nearly every reviewer repeated his observations about the Great Books of the Western World being printed in faux leather and in nearly unreadable type, as well as his characterization of Mortimer Adler as a "Hobbit." Reviewers also contrasted (and commended) A Great Idea's readability with the thick tomes it addresses. But several reviewers also turned Beam's wit on its head, noting that while A Great Idea is a good book, it is not a great one. Some reviewers found fault with the author's occasional tendency to sound too folksy. Others didn't know whether to treat the Great Books phenomenon as an effort to save civilization or middlebrow hucksterism—or both. So do you want to read great books, or just read about them as a phenomenon? We'll take the former.
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Before the dawn of the television age, in an ambitious effort to enlighten the masses via door-to-door sales, Encyclopedia Britannica and the University of Chicago launched the Great Books of Western Civilization, "all fifty-four volumes of them... purporting to encompass all of Western knowledge from Homer to Freud." Led by the "intellectual Mutt 'n' Jeff act" of former University of Chicago president Robert Hutchins and his sidekick Mortimer Adler, the Great Books briefly, and improbably, caught the nation's imagination. In his discussion, Boston Globe columnist Beam looks at how and why this multi-year project took shape, what it managed to accomplish (or not), and the lasting effects it had on college curricula (in the familiar form of Dead White Males). Beam (Gracefully Insane: Life and Death Inside America's Premier Mental Hospital) describes meetings endured by the selection committee, and countless debates over Euripedes, Herodotus, Shakespeare, Melville, Dickens and Whitman ("When it comes to Great Books, no one is without an opinion."), but tells it like it is regarding the Syntopicon they devised-at "3,000 subtopics and 163,000 separate entries, not exactly a user-friendly compendium"-and the resulting volumes, labeling them "icons of unreadability-32,000 pages of tiny, double-column, eye-straining type." By lauding the intent and intelligently critiquing the outcome, Beam offers an insightful, accessible and fair narrative on the Great Books, its time, and its surprisingly significant legacy.
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