Hot off the publication of Bones, the winner of the Edgar Award for Best Novel, Jan Burke explodes onto the suspense scene with Flight, featuring the hard-edged Detective Frank Harriman, husband of Jan's beloved series heroine Irene Kelly.
A family is found murdered. In a cruel twist, one of the Las Piernas Police Department's own, Philip Lefebvre, is suspected of killing the only witness. When that detective disappears, a crime boss goes free. And the LPPD is forever changed.
Called in to investigate the wreckage of the missing detective's plane, Frank Harriman is given a set of cold cases that have suddenly become white hot. Detective Harriman's conviction that the LPPD tagged the wrong murder suspect is wildly unpopular. Alone, his instincts and integrity questioned at every turn, Harriman must stop the killer before hundreds of lives, including Harriman's own, are lost.
Flight is a heart-pounding marriage of Jan Burke's "intricate plotting" (Washington Times), "chilling suspense" (Clive Cussler), and trademark "crisp, crackling prose" (Library Journal) that will thrill newcomers and veteran Burke fans, cover to cover.
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Flight is really the story of two men, Harriman and Philip Lefebvre. Ten years ago, when businessman Trent Randolph and his daughter were murdered, Lefebvre was the officer in charge of the case. Moody and isolated, he became not only investigator but guardian angel to Randolph's young son Seth, left clinging to life after the attack. His colleagues and the community were convinced Whitey Dane, a local mobster with grand ambitions, was behind the murders, but when Seth was killed in his hospital bed and both Lefebvre and all the evidence against Dane disappeared, the department was left reeling in the wake of crooked-cop iniquity.
But now Lefebvre's apparently sabotaged plane has been discovered in the mountains, along with his bones. Frank Harriman must ease through a maze of anger and recrimination as he pursues the possibility of Lefebvre's innocence. But if this cop was innocent, that means another one wasn't--and that individual will stop at nothing to protect his guilty secret.
The novel's opening chapters, which place the original murders in stark relief and reveal the trap slowly closing around Lefebvre, are as good as anything Burke has written--maybe better. Their intensity is difficult to match, but Harriman's investigation still has plenty of surprises, including a nifty twist at the very end. Flight's solid writing, deftly nuanced relationships, and delicate bad-guy balance between chilling and camp are as on target here as elsewhere. Here's to Irene and Frank; long may they take turns at the wheel. --Kelly Flynn
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