A New York Times Bestselling Author
At nineteen, May ran away from her home in Ireland to experience life in America, eventually ending up in Chicago. Compellingly attractive to men, she became a prostitute and eventually was hailed as "Queen of the Underworld." Falling in love with a big league criminal, May followed him to Paris where they successfully robbed the American Express. Apprehended, tried and spending time in prison, May returns to her life in America. O'Faolain brings a sympathetic scrutiny to this extraordinary life, reaching across decades for points of connection and understanding.
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Nuala O'Faolain is a columnist for the Irish Times, and has worked as a producer for the BBC.
In 1890, 19-year-old May Duignan left her hardscrabble Irish town with her family's savings and set off to create a new life. In a biography that is also a reflection on autobiography, O'Faolain, author of two bestselling memoirs, examines the young woman's transformation into the notorious thief and prostitute Chicago May. Her greatest source is May's own account of her life, which, in significant contrast to modern memoir, is long on action and short on reflection. O'Faolain balances that deficit with smart readings of scattered sources and with evocations of her own life that illuminate the Irish experience in May's time and today. She follows May through the desperate and tough Chicago red light district to the Tenderloin of New York, and then to London, Paris and various prisons. May's opportunities for escape from the life she made came in many forms, including marriage to the black sheep of a respectable New Jersey family and a successful escape with the loot from a heist of the American Express office in Paris. But shortsightedness, loyalty and revenge led her to rebuff each opportunity. While drawing out the lacunae of her story with speculation and description, O'Faolain resists the urge to reinvent or sentimentalize May. The biographer makes herself a complement rather than an intrusion, and May emerges lively, unique and cut from the cloth of Irish and American reinvention. B&w photos not seen by PW. (Sept.)
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