A nighttime visit to the strange old Crouch house and a game of hide and seek become a nightmare of horror and violence for Dan, a handsome young local, and Casey, the reckless, bored vacationer with whom he becomes involved
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Jack Ketchum is the pseudonym for a former actor, singer, teacher, literary agent, lumber salesman, and soda jerk. He is also a former flower child and baby boomer who figures that in 1956 Elvis, dinosaurs and horror probably saved his life. His first novel, Off Season, prompted the Village Voice to publicly scold its publisher in print for publishing violent pornography. He personally disagrees but is perfectly happy to let you decide for yourself. His short story The Box won a 1994 Bram Stoker Award from the HWA and he has written ten novels, including The Girl Next Door, Off Season, and Stranglehold. His stories are collected in The Exit At Toledo Blade Boulevard and Broken on the Wheel of Sex.
In the early 1980s, Ketchum (the pseudonym of Dallas Mayr) published in paperback as gruesome and taut a horror novel as anyone had seen: Off Season. Perhaps because of the outrage the book engendered, Ketchum's second novel, Hide and Seek, received little support from its publisher when it appeared in mass market in 1984. That's a shame, not only because Mayr's career nose-dived commercially after that (though he's still writing and publishing), but because Hide and Seek is a good novel, strong and true, scary yet uplifting in the classic horror manner. Set during summer in the Maine coastal town of Dead River, the book divides into two parts. In the first, the narrator, local young man Dan, meets visiting college kids Casey, Kim and Steven; engages in some drinking and daring with them; falls for beautiful, wild Casey (they have sex in a graveyard) and learns what impels her to take risks: years ago, she was sexually abused by her fatherAabuse that led to the death of her younger brother. The book's second part provides the payoff to that meandering but tantalizing setup. In it, the quartet agrees to play hide-and-seek in a local haunted house. The game soon turns frightening, then deadly, as the four encounter the house's horrid inhabitants, not all humanAa challenge that prompts Dan and others to grow up quickly. As in Off Season, the action is ultraviolent and shocking, but the point here, as there, isn't the grue but the spirit of those who must deal with it. Here, too, Ketchum writes with economy and power, in sentences that tighten like noose wire. Anyone who enjoys fine, hard horror will appreciate this novel, at last available in hardcoverAhere, in a signed limited edition likely to sell out quickly. (Oct.)
Copyright 2000 Reed Business Information, Inc.
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