Ludelphia Bennett may be blind in one eye, but that doesn't mean she can't put in a good stitch. In fact, Ludelphia sews all the time, especially when things are going wrong. But when Mama gets deathly ill, it doesn't seem like even quilting will help. Mama needs medicine badly―medicine that can only be found in Camden, over forty miles away. That's when Ludelphia decides to do something drastic―leave Gee's Bend. Beyond the cotton fields of her small sharecropping community, Ludelphia discovers a world she never imagined, but there's also danger lurking for a young girl on her own.
Set in 1932 and inspired by the rich quilting traditions of Gee's Bend, Alabama, Leaving Gee's Bend is a delightful story of a young girl facing a brave new world, presented in a new paperback edition.
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The daughter of a seamstress, Irene Latham lives in Birmingham, Alabama. Since Leaving Gee's Bend was first released in 2010, she has given hundreds of presentations about Gee's Bend, its history, art, and people. Winner of the 2016 International Literacy Association-Lee Bennett Hopkins Promising Poet Award, she is passionate about helping others write their poems and stories. For curriculum connections and additional information, please visit irenelatham.com.
Grade 4–6—Blind in one eye and shouldering a fair share of work as part of a family of sharecroppers, 10-year-old Ludelphia Bennett is no stranger to hardship or determination. Though her small town of Gee's Bend is geographically isolated by the Alabama River, she sets off on her own to Camden, 40 miles away, to find a doctor for her sick mother. Constant throughout her arduous journey is a stitched-together fabric, and she both physically and mentally chronicles her experiences as she pieces a quilt together. This is the way Ludelphia tells her story, of seeing white people for the first time, of encountering kindness and hate, and it is also the way Latham pays homage to the community spirit that historically fostered a heritage of artisan quilt-makers. While there is a bit of a reliance on coincidence, what shines through is the characterization and sense of place. Rural Alabama of 1932 is brought to life, complete with characters' prejudices and superstitions that are eventually overcome thanks to Ludelphia's indomitable strength. Here is a story that is comforting and warm, just like the quilts that make Gee's Bend famous.—Joanna K. Fabicon, Los Angeles Public Library
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