"Simply thrilling. Its surprising denouement works a retrospective magic."
- New York Times Book Review
"Van Cauwelaert has assembled his plot perfectly, like an intricate timepiece, and we are amazed by the precise ticking that sounds at every twist in the tale. The book reads like a close cousin of Philip K. Dick, the acknowledged master of doubting what's real."
- Olivier Delcroix
"A devilishly well-oiled plot, which grabs the reader with both hands, drags him along, and twists him around."
- Le Spectacle du Monde
Martin Harris returns home after a short absence to find that his wife doesn't know him, another man is living in his house under his name, and the neighbors think he's a raving lunatic. Worse, not a single person—family, colleague, or doctor—can vouch for him. Worse still, the impostor shares all of Martin's memories, experiences, and knowledge, down to the last detail. He is, in fact, a more convincing Martin than Martin himself. Is it a conspiracy? Amnesia? Is Martin the victim of an elaborate hoax, or of his own paranoid delusion?
In his high-powered new novel, Didier van Cauwelaert, the award-winning author of One-Way, explores the illusory nature of identity and the instability of the things we take for granted. Dispossessed of his job, his family, his name, and his very past, Martin Harris is an Everyman caught in an absurd and yet disturbingly convincing nightmare, one that seems to have no exit and that resists every explanation. Part moral fable, part Robert Ludlum-style thriller, Out of My Head is a fast-paced tale of one man's desperate attempt to reclaim his existence—even at the cost of his own life.
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Didier van Cauwelaert
Didier van Cauwelaert is the author of numerous bestselling books, including Poisson d'Amour, La Vie Interdite, and Rencontre Sous X (forthcoming in English from Other Press). He wrote a libretto that was featured in the recent off-Broadway musical, Amour. He lives in Paris.
Van Cauwelaert's trademark absurdist-existential angst is evident again in this follow-up to his Prix Goncourt–winning debut, One-Way. American botanist Martin Harris is relieved to return home after a week-long absence, three days of which he spent in a coma in a Paris hospital following a car accident. What a surprise, then, to discover that his wife of 10 years doesn't recognize him and is now living with another man, a botanist named Martin Harris whose knowledge and memories are identical to the narrator's in every detail. When no one from his former life will vouch for him, Martin starts entertaining unlikely conspiracy theories (adultery, corporate espionage) that are just credible enough to add some real spice to the mystery of his predicament. Feistily questioning his most basic assumptions—Where is memory stored? How authentic are the stories we tell about ourselves? How much of what we cherish about life is based on nostalgia and repetition?—he quickly finds that he "had to stop existing in order to start living." What has been a spirited exploration of identity and memory abruptly turns into a somewhat flimsy thriller in its final pages, but Martin's mighty struggle with self-doubt, paranoia and the disorienting freedom of losing his place in the world makes the ride well worth it.
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