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Mattei, Peter The Deep Whatsis ISBN 13: 9781590516386

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The Deep Whatsis follows a brilliant antihero staggering into madness as he navigates among Brooklyn hipsters, advertising tyrants, corporate hypocrisy, and the ghosts of his past.
 
Meet Eric Nye: player, philosopher, drunk, sociopath. A ruthless young Chief Idea Officer at a New York City ad agency, Eric downsizes his department, guzzles only the finest Sancerre, pops pills, and chases women. Then one day he meets Intern, whose name he can’t remember. Will she be the cause of his downfall, or his unlikely awakening?

A gripping and hilarious satire of the inherent absurdity of advertising and the flippant cruelty of corporate behavior, The Deep Whatsis shows the devastating effects of a world where civility and respect have been fired.

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About the Author:
Peter Mattei is a novelist, playwright, filmmaker, and writer for television and film. His award-winning plays have been staged in various theaters across the country to critical acclaim, and his first feature film, Love in the Time of Money, was developed at the Sundance Directors Lab and produced by Robert Redford. He’s created and written original series pilots for HBO, CBS, ABC, FOX, and other networks. He splits his time between Brooklyn, upstate New York, and
Austin, Texas.
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   I fire people. It’s my job.
   But not only do I can them, in the process I help them, or should I say I wake them up, or I should say I take the time to write for them an honorable if not epic death, a death more dramatic and meaningful than the one they would otherwise be entitled to.
   See, I was hired to “clean house” here at Tate, the ad agency in New York City where I am the Executive Creative Director slash Chief Idea Officer. I was brought in to create a culture of innovation and creativity, meaning get rid of the dead wood, shitcan the old and the slow and the weak, and that’s what I’m doing, because it’s my job. 
   At first it was something I dreaded. I hated myself. I knew I was being paid handsomely to be the one to blame, the one with the Dirty Deed, but still, it was distinctly not cool. Then I grew up. I read on page 334 of The Fountainhead where Howard Roark, say, cuts his own testicles off with a fork in front of his cousin or something, I don’t remember, not that exactly, but he does some extremely fuckedup shit that is totally ridiculous but in the end is worth it. That hit me when I read it. So after firing a handful of pathetic art directors and copywriters in their forties and fifties my attitude changed. I realized that my problem with this aspect of my job was purely in my head and that if I were to be totally honest with myself I would admit that there was something heroic about it. The thrill of the hunt, I guess. I had my prey cornered, I had the HR Lady watching me (I call her Lady but she wasn’t much older than me; tall, anorexic— lives on bagged nuts, coffee, and wine) and I had my sentence to speak, which thankfully she had written and rehearsed with me: “I’m very sorry to say this but we’re going to have to let you go.”

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  • PublisherOther Press
  • Publication date2013
  • ISBN 10 1590516389
  • ISBN 13 9781590516386
  • BindingPaperback
  • Number of pages256
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