A retired detective revisits the most wrenching murder investigation of his career, and discovers not only the tenacious grip of revenge but also the enduring power of love.
Benjamín Chaparro is a retired detective still obsessed by the brutal, decades-old rape and murder of a young married woman in her own bedroom. While attempting to write a book about the case, he revisits the details of the investigation. As he reaches into the past, Chaparro also recalls the beginning of his long, unrequited love for Irene, then just an intern, now a respected judge. Interweaving past and present, this deeply layered mystery explores the murky boundaries between justice and revenge, and asks the question: how far would you go to right an unfathomable wrong?
About the film: Written and directed by Academy Award® nominee Billy Ray (Captain Phillips, The Hunger Games), and produced by Academy Award® winner Mark Johnson (Rain Man, “Breaking Bad”), Secret In Their Eyes is an intense, powerful, haunting thriller starring Academy Award® nominee Chiwetel Ejiofor, and Academy Award® winners Nicole Kidman and Julia Roberts.
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Eduardo Sacheri was born in Buenos Aires in 1967. His first collection of short stories, Esperándolo a Tito y otros cuentos de fútbol (Waiting for Tito and Other Football Stories) was published in Spain in 2000 under the title Traidores y otros cuentos (Traitors and Other Stories). Three other collections were published between 2001 and 2007, all of which have been incredible best sellers in Argentina. His novel La pregunta de sus ojos has been sold into eight territories, and the first film adaptation of his novel, The Secret in Their Eyes, won the Academy Award for Best Foreign Film in 2010.
John Cullen is the translator of many books from Spanish, French, German, and Italian, including Margaret Mazzantini’s Don’t Move, Yasmina Khadra’s Middle East Trilogy (The Swallows of Kabul, The Attack, The Sirens of Baghdad), Christa Wolf’s Medea, and Manuel de Lope’s The Wrong Blood (Other Press). He lives in upstate New York.
He’d never had anything special, nor anything good, and he’d always found that perfectly fair. And then he’d met Liliana, who was, to an enormous degree, both special and good. That was the reason why he remembered that morning so well, not because it was their last. He kept it in his memory just as he’d kept all the other mornings in the little over a year that had passed since their wedding.
Afterward, when Morales described to me, in meticulous detail, everything that had happened at that last breakfast with Liliana, he didn’t go about it the way an ordinary person would. In general, people cobble together memories of their experiences from the hazy vestiges that have remained in their minds, or from fragments recalled from other, similar experiences, and with those vestiges and fragments they try to reconstruct circumstances or feelings they’ve lost forever. Not Morales.
Because he felt that Liliana gave him happiness he wasn’t entitled to, happiness that had nothing to do with his life before he met her, and because the cosmos tends toward equilibrium, he knew he’d have to lose her sooner or later so that things could return to their proper order. All his memories of her were tinged with that sense of imminent disaster, of a catastrophe lying in wait around the corner.
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