Like all great performers, Nicole Kidman approached her role in The Hours as a creative collaboration. Kidman knew that portraying Virginia Woolf on screen required a truth that she as the actor and Woolf as the character shared. Enter acting "alchemist" and "technician of the spirit" (The New Yorker) Susan Batson. Batson's process gave Kidman the tools to find that truth and honed her performance from the inside out. She won an Oscar® for her work.
In TRUTH, the most sought after acting guru in Hollywood and on Broadway distills her half century's experience as an actor, teacher, and personal coach into a step by step process for creating a character from first read-through to final performance.
Debunking a century's worth of myths about "method acting," Batson identifies the unifying forces of Need, Public Persona, and Tragic Flaw to unite the actor with his or her character. Need is the primal, unfulfilled desire that a character's Public Persona hides. Tragic Flaw is the confrontational dramatic behavior that erupts when the character's Need and Public Persona clash. TRUTH shows how actively defining and understanding these three principals leads to the most truthful performances possible.
A must-read for beginning actors, a wake-up call for working actors, and an indispensable reference for writers, TRUTH reveals the inner game of telling stories and creating vivid, three-dimensional life out of words.
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I first met Susan Batson in New York just a week before I made Peacemaker. We worked together in earnest for two years on Eyes Wide Shut in London and on every film I've done since, wherever they've taken us. This book you hold is called Truth, and that title precisely describes the core of the work Susan Batson and I do together.
I can't create unless I have truth--I have to feel it. Susan helps me to find the truth in myself and use its purity, intimacy, and honesty to make my work real. She's helped me to nurture and protect truth in myself and in the characters that I've played. What I've learned from Susan is how to keep the truth alive no matter what. There's so much more to acting than just creative success. It runs thicker and deeper than that. It has to--it's in my blood, it beats through me. I know that it's in Susan's blood, too. I feel like we've been together my whole life.
A great teacher can make anything seem possible. So many of the actors I've admired and idolized and, in a few lucky instances, been blessed to work with, were shaped and inspired by teachers who opened them to the possibilities of their art. Among actors, Lee Strasberg, Sanford Meisner, and Jeff Corey are just as legendary as their pupils Marilyn Monroe, Robert Duvall, and Jack Nicholson. I am confident that Susan Batson will go down in history as one of acting's legendary teachers. I only hope that my work can contribute to her legend.
I'll always be grateful that I found her. And now, through this book, you've found her, too.
Born in Roxbury, Massachusetts, Susan Batson began her lifelong excursion into the art of acting at Adele Thane's Boston Children's Theater. She graduated from Emerson College's Theater Arts Program and received a John Hay Whitney Fellowship to study with Lee Strasberg, Uta Hagen, and Herbert Berghoff in New York. She was in the original cast of Hair and became a protege of theater legends Joe Papp and Harold Clurman, a member of the Actor's Studio, and a recipient of a New York Drama Critics Award, an LA Drama Critics Award, and an Obie. Susan Batson has consulted with writer/director Spike Lee on several of his films and was a producer of the hugely successful Broadway revival of A Raisin in the Sun, starring Sean Combs.
Susan Batson has been profiled in the New Yorker, the New York Times, Variety, the Hollywood Reporter, and Backstage.
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