Science Fiction is the genre that looks at the implications of technology on society, which in this age of exponential technological growth makes it the most relevant branch of literature going. This is only the start, and the close of the 21st century will look absolutely nothing like its inception. It has been said that science fiction is an ongoing dialogue about the future, and the front line of that dialogue is the short story. The field has a long history of producing famous anthologies to showcase its distinguished short fiction, but it has been several years since there has been a prestigious all-original science fiction anthology series. Fast Forward is offered in the tradition of Damon Knight’s prestigious and influential anthology series, Orbit, and Frederik Pohl’s landmark Star SF. Fast Forward marks the start of a new hard science fiction anthology series, dedicated to presenting the vanguard of the genre and charting the undiscovered country that is the future. Contributors scheduled for the first volume include: Kage Baker, Paolo Bacigalupi, Tony Ballantyne, Stephen Baxter, Elizabeth Bear, A. M. Dellamonica, Paul Di Filippo, Robyn Hitchcock, Louise Marley, Ken MacLeod, Ian McDonald, John Meaney, Larry Niven and Brenda Cooper, Mike Resnick and Nancy Kress, Justina Robson, Pamela Sargent, Mary A. Turzillo, Robert Charles Wilson, Gene Wolfe, and George Zebrowski.
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A 2008/2007 Hugo Award nominee, 2008 Philip K. Dick Award nominee, 2007 Chesley Award nominee, and 2006 World Fantasy Award nominee, Lou Anders is the editorial director of Prometheus Books' science fiction imprint Pyr, as well as the anthologies Fast Forward 2 (Pyr, October 2008), Sideways in Crime (Solaris, June 2008), Fast Forward 1(Pyr, February 2007), FutureShocks (Roc, January 2006), Projections: Science Fiction in Literature & Film (MonkeyBrain, December 2004), Live Without a Net (Roc, 2003), and Outside the Box (Wildside Press, 2001). In 2000, he served as the Executive Editor of Bookface.com, and before that he worked as the Los Angeles Liaison for Titan Publishing Group. Anders is the author of The Making of Star Trek: First Contact (Titan Books, 1996), and has published over 500 articles in such magazines as The Believer, Publishers Weekly, Dreamwatch, Deathray, Free Inquiry, Star Trek Monthly, Star Wars Monthly, Babylon 5 Magazine, Sci Fi Universe, Doctor Who Magazine, and Manga Max. His articles and stories have been translated into Danish, Greek, German, Italian, and French, and have appeared online at SFSite.com, RevolutionSF.com, and InfinityPlus.co.uk. Visit him online at www.louanders.com.
Starred Review. The solid, straightforward storytelling of the 19 stories and two poems that Anders (Futureshocks) gathers for this first in a projected series of all-original SF anthologies speculates on people's efforts to "make sense of a changing world." The contributors don't necessarily assume that humans will find it easy or even possible to cope with all the changes around and within them—but they'll try, which is just part of SF's continuing dialogue about the future. The collection's strongest pieces include Robert Charles Wilson's character study of an almost-artist in search of a muse ("YFL-500"), Mary A. Turzillo's dissection of love ("Pride"), Paul Di Filippo's witty extrapolation of electronic consumerism and democracy gone berserk ("Wikiworld") and Ken MacLeod's understated, moving report on the Second Coming ("Jesus Christ, Reanimator"). All the selections in this outstanding volume prompt thoughtful speculation about what kind of tomorrow we're heading toward and what we'll do when we get there. (Feb.)
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An anthology inspired by its editor's declaration that "science fiction is a tool for making sense of a changing world" contains quite a range of stories, from Elizabeth Bear's "The Something-Dreaming Game," in which children play a fainting game (basically autoerotic asphyxiation), and one girl communicates with the possibly last member of an alien species, to Tony Ballantyne's "Aristotle OS." In that mind-boggler, a journalist with computer problems upgrades from the familiar, platonic OSs to the titular system; the different systems operate on the theories of the philosophers referenced, causing some very interesting problems when the journalist connects to the Internet with its wealth of contradictory information. Ken MacLeod's "Jesus Christ, Reanimator" is an interesting take on the second coming, replete with fascinating rationalizations by both scientific and Christian establishments, none of which wants to take Jesus on faith. Louise Marley tells a time-travel story about a particular performance instruction, p dolce, in the music of Brahms. Other contributions by such familiar and new names as Larry Niven and Brenda Cooper, Mike Resnick and Nancy Kress, Gene Wolfe, and Paul DiFiippo fill out a worthy menu of engrossing forays into wildly, creatively varied futures. Regina Schroeder
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