The son of a Cuban exile recounts the remarkable and contradictory life of famed sugar baron Julio Lobo, the richest man in prerevolutionary Cuba and the last of the island's haute bourgeoisie.
Fifty years after the Cuban revolution, the legendary wealth of the sugar magnate Julio Lobo remains emblematic of a certain way of life that came to an abrupt end when Fidel Castro marched into Havana. Known in his day as the King of Sugar, Lobo was for decades the most powerful force in the world sugar market, controlling vast swathes of the island's sugar interests. Born in 1898, the year of Cuba's independence, Lobo's extraordinary life mirrors, in almost lurid technicolor, the many rises and final fall of the troubled Cuban republic.
The details of Lobo's life are fit for Hollywood. He twice cornered the international sugar market and had the largest collection of Napoleonica outside of France, including the emperor's back teeth and death mask. He once faced a firing squad only to be pardoned at the last moment, and later survived a gangland shooting. He courted movie stars from Bette Davis to Joan Fontaine and filled the swimming pool at his sprawling estate with perfume when Esther Williams came to visit.
As Rathbone observes, such are the legends of which revolutions are made, and later justified. But Lobo was also a progressive and a philanthropist, and his genius was so widely acknowledged that Che Guevara personally offered him the position of minister of sugar in the Communist regime. When Lobo declined-knowing that their worldviews could never be compatible-his properties were nationalized, most of his fortune vanished overnight, and he left the island, never to return to his beloved Cuba.
Financial Times journalist John Paul Rathbone has been fascinated by this intoxicating, whirligig, and contradictory prerevolutionary period his entire life. His mother was also a member of Havana's storied haute bourgeoisie and a friend of Lobo's daughters. Woven into Lobo's tale is her family's experience of republic, revolution, and exile, as well as the author's own struggle to come to grips with Cuba's, and his family's, turbulent history.
Prodigiously researched and imaginatively written, The Sugar King of Havana is a captivating portrait of the glittering end of an era, but also of a more hopeful Cuban past, one that might even provide a window into the island's future.
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John Paul Rathbone was born in New York and raised in England. Currently the Financial Times' Latin American editor, and a former editor of the FT’s prestigious “Lex” column, he is a graduate of Oxford and Columbia Universities, and has worked as an economist at the World Bank, and as a journalist. His articles have appeared in many publications including The Wall Street Journal, Britain’s Sunday Telegraph, Colombia’s El Espectador and Esquire magazine, where he was business columnist from 2002-2003. He lives in London.
No critics disputed that John Paul Rathbone has written an excellent biography of Julio Lobo. Their enthusiasm varied somewhat, however, in relating Lobo's life to the larger story of Cuba. Reviewers interested in business and trade had no trouble understanding Lobo's importance, but many who would have otherwise not shown much interest in sugar were similarly impressed by Rathbone's use of the tycoon's life to show how Cuba has changed. A few critics, however, found the fit unsatisfying and some of Rathbone's personal digressions distracting (his mother was a Cuban exile of Lobo's social class). Overall, though, critics felt The Sugar King of Havana to be essential reading for those interested in business history or Latin America.
Starred Review. The rise and fall of sugar trader Julio Lobo becomes a window into prerevolutionary Cuba, the mechanics of building an economic empire--and the author's own personal history--in this atmospheric biography by Rathbone, deputy head of the Financial Times's Lex column and former World Bank economist. Lobo, "Cuba's richest man and one of the world's greatest speculators," is an intriguing subject ("friends nicknamed him El Veneno, the poisonous one, for his charm and sibylline tongue"), and Rathbone handles his volte face, from hobnobbing with Bette Davis to the loss of his fortune and death in exile in Spain, with finesse. Ample drama--multiple divorces, audacious hostile takeovers, assassination attempts--is given gravity by Rathbone's parallels with and personal connections to his subject: his family traveled in Lobo's social circle in Cuba during the first half of the 20th century. An exceptionally rich portrait not only of an empire and its progenitor but Cuba itself, and the economic legacy of Castro's revolution, the loss of capital, and the end of Cuba's "great age of sugar."
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Like Tom Gjelten in Bacardi and the Fight for Cuba (2008), journalist Rathbone evokes pre-Castro Cuba through one of the country’s most successful enterprises, in this case, a sugar empire built by Julio Lobo (1898–1983). Beginning as a trader in his father’s firm, Lobo became, by the 1930s, a force in the global sugar market. Rathbone recounts Lobo’s speculative coups en route to direct ownership of cane fields and mills. A visitor to Lobo’s office, homes, and mills in Cuba, Rathbone contrasts the dilapidation of contemporary Cuba with the look of the prerevolutionary country that he recovers from both Lobo’s biography and that of his own Cuban-born mother, whose social life tangentially intersected with Lobo’s world. The present/past technique effectively dilutes the polarizing imperatives of pro- and anti-Castro presumptions and restores a realistic sense of what 1950s Cuba was like, including the guarded optimism with which many upper-crust Cubans such as Lobo initially viewed Castro’s seizing of power. Rathbone’s care with social atmosphere lifts his portrayal of Lobo above the usual life-of-a-tycoon and enriches the historical understanding of readers contemplating post-Castro Cuba. --Gilbert Taylor
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