Describes how a journalist and guitarist was transformed into Bj rn T roque, the nation's second greatest air guitarist, detailing the international air guitar subculture and his determined quest to becoming the ultimate air guitarist. Original.
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Dan "Björn Türoque" Crane has been playing competitive air guitar for over two years. He has also written for Slate, The Los Angeles Times, and The New York Times.
Actual musician and New York Times writer Crane created his alter ego, Björn Türoque, as part of a heated but unsuccessful attempt to win the 2003 Air Guitar World Championships in Oulu, Finland, a yearly competition—usually attended by thousands of fans—to see who can best mime the movements of guitar solos in songs by actual rock gods such as Led Zeppelin and Guns N' Roses. With hilarious detail, Türoque/Crane recounts what became a three-year, nearly full-time immersion into the cutthroat, usually drunken, but always serious world of air guitar competitors, who choreograph detailed 60-second routines of air-jumping, air-fretting, air–power-chording and air-soloing in order to be "transposed from insignificance into supernatural supershredding superheroes." Crane often veers into stoned philosophizing—he sees air guitar as "creating a reality in which the audience can place themselves"—but overall he easily and accurately captures the telling elements of what is uniquely a visual event: one participant is described as looking "as if he's repeatedly trying to pull-start a lawnmower with a great deal of frustration," while another—sporting "a Hello Kitty breastplate fastened to his chest with binder clips" has hands that move "like twin Tasmanian devils." (Aug.)
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