From the #1 New York Times bestselling author of the Man Booker Prize-winning novel Lincoln in the Bardo and the story collection Tenth of December, a 2013 National Book Award Finalist for Fiction.
Talking candy bars, baby geniuses, disappointed mothers, castrated dogs, interned teenagers, and moral fables—all in this hilarious and heartbreaking collection from an author hailed as the heir to Kurt Vonnegut and Thomas Pynchon.
"The first thing you ought to know is that Saunders is the funniest writer in America... [But] Saunders's laughs are a cover, a diversion, beneath which reside some profoundly serious intentions regarding the morality of how we live and the power of love and immanent death to transform us into vastly better creatures... I can't think of another writer who would try to do what Saunders is doing, or anything close to it. This is an important book."—The Nation
"Saunders is a hilarious, wicked, and pitch-perfect satirist of our times, of course, but for a satirist he has a whole lot of heart."—Esquire
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George Saunders is the Man Booker Prize-winning author of Lincoln in the Bardo; Tenth of December; In Persuasion Nation; The Brief and Frightening Reign of Phil; Pastoralia; CivilWarLand in Bad Decline; The Braindead Megaphone; and a children's book, The Very Persistent Gappers of Frip. His work appears regularly in the New Yorker, Harper's and GQ. In 2006, he was awarded a MacArthur Foundation "genius grant." In 2000, The New Yorker named him one of the "Best Writers Under 40." He is a 2013 National Book Award Finalist for Fiction. He teaches at Syracuse University.
*Starred Review* The most unnerving fiction boldly envisions the dire consequences of our most hubristic tendencies: our bottomless greed, maniacal competitiveness, hyper-materialism, environmental obliviousness, spiritual callousness, and fear of being different. Following in the footsteps of Orwell, Bradbury, and Atwood, Saunders writes shrewd, off-the-charts speculative fiction, leading a coterie of similarly inclined short story writers that includes Scott Bradfield, Judy Budnitz, and David Foster Wallace. In his third savagely imaginative collection, his most riveting to date, he considers various forms of diabolical persuasion in a techno-colonized world in which advertising governs every aspect of life. Junk-food products are alive and aggressive, and people and animals are either subjected to cruel experiments or forced to live within the confines of commercials and television vignettes featuring rampant cartoonlike violence. Coercion, brainwashing, peer pressure--all are fiendishly engineered to ensure that the repressed and medicated populace wants only comfort and the latest products, and that any rogue intimations of morality and empathy are swiftly crushed. Funny, creepy, mournful, and outraged, Saunder's ingenious and superbly crafted satirical stories blaze like warning lights on the road to hell. Donna Seaman
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