About the Author:
His writing career began at Syracuse University where he was a Rossman Scholar for Humanities, a Syracuse Scholar, An NCAA Top Six Scholar, Phi Beta Kappa, and co-valedictorian of his class. While studying English Literature, Tim became acquainted with the renown minimalist, Raymond Carver, and had the opportunity to study under the award-winning writer and professor, Tobias Wolff. During his studies, Tim also played football for the Syracuse Orangemen with a career that included a consensus All-American honors as well as his recent induction into the College Football Hall of Fame. In 1986, he was selected in the first round of the NFL draft by the Atlanta Falcons where he was a star defensive end for eight years. During his NFL career, Green began his thirteen-year career as a commentator for National Public Radio, wrote columns for USA Today, and received his law degree with honors at Syracuse University. Because of his accomplishments both Sports Illustrated and the Los Angeles Times have called Tim Green the "Renaissance Man" of sports. After his playing career, Tim spent eleven years as an NFL analyst for FOX Sports and recently hosted FOX's nationally syndicated news magazine, A Current Affair. His other broadcast experiences have included ABC Good Morning America's legal commentator, Court TV's Pros and Cons, host of FOX Sports Net's Emmy nominated show NFL TOTAL ACCESS, and Comedy Central's Battlebots. Tim lives with his wife, Illyssa, and their four children in upstate New York where he is working on his
From AudioFile:
In an interview with a psychiatrist before being released into the Witness Protection Program, Thane Coder tells how he murdered, stole, and conspired with his aggressive wife to take over a construction empire and line their own pockets. Narrated in both the first-person and omniscient points of view, the story reveals how Thane murdered his boss/mentor, how Thane and his wife became involved with the Mob and the union, and how it all ended. Brick's mastery of narration saves this abridgment, made disjointed by abrupt shifts in point of view as well as jumps in time and place. Music cues the abridging edits, allowing the listener to shift focus--somewhat. M.B.K. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine
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