A gentlemanly Irish physician is innocently condemned to a life of slavery in the English colonies across the sea. There, on a Caribbean Island plantation, the good Dr. Peter Blood, toils as a slave. A chance raid by Spaniards affords Blood his opportunity to escape into a life of piracy and crime upon the high seas. But Blood is a pirate with a sense of honor. How Blood distinguishes himself against his enemies, is the tale in this enjoyable historical adventure.
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Rafael Sabatini (1875-1950) was an Italian/British writer of novels of romance and adventure. Rafael Sabatini was born in Jesi, Italy, to an English mother and Italian father. His parents were opera singers who became teachers. At a young age, Rafael was exposed to many languages, living with his grandfather in England, attending school in Portugal and, as a teenager, in Switzerland. By the time he was seventeen, when he returned to England to live permanently, he was the master of five languages. He quickly added a sixth language — English — to his linguistic collection. He consciously chose to write in his adopted language, because, he said, "all the best stories are written in English." After a brief stint in the business world, Sabatini went to work as a writer. He wrote short stories in the 1890s, and his first novel came out in 1902. In 1905 he married Ruth Goad Dixon, the daughter of a Liverpool merchant. It took Sabatini roughly a quarter of a century of hard work before he attained success with Scaramouche in 1921. This brilliant novel of the French Revolution became an international best-seller. It was followed by the equally successful Captain Blood in 1922. All of his earlier books were rushed into reprints, the most popular of which was The Sea Hawk from 1915. Sabatini was a prolific writer; he produced a new book approximately every year. While he perhaps didn't achieve the mammoth success of Scaramouche and Captain Blood, nonetheless Sabatini still maintained a great deal of popularity with the reading public through the decades that followed. The public knew that in picking up a Sabatini book, they could always count upon a good read, and his following was loyal and extensive.
The Colonial Radio Theatre's performance of Sabatini's historical adventure about an Irishman wrongly convicted of treason who escapes slavery into the life piratical is generally well served by sound effects (good explosions!) and music. The adaptation, however, is serviceable, if sometimes awkward. And the actors are not easy and natural in their roles, and a few are quite bad. Accents (which are constant) are a sore point: the British weak, the Spanish clichŽd, the French abysmal. Especially hard to listen to is the mannered and sepulchral narrator. This program deserves credit for effort and earnestness, and for some rousing moments, but mediocre acting, like Captain Blood himself, triumphs in the end. W.M. © AudioFile 2007, Portland, Maine-- Copyright © AudioFile, Portland, Maine
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