Items related to The Match

The Match - Hardcover

Gunesekera, Romesh

  • 2.97 out of 5 stars
    127 ratings by Goodreads
 
9781595581983: The Match

Synopsis

As a teenager from Sri Lanka, Sunny is living the typical life of an expatriate in 1970s Manila―a privileged, carefree existence―until one day when the secret behind his mother's tragic death years earlier is accidentally revealed to him, turning Sunny's world upside down. His life takes a series of unexpected turns―first in England, where he falls in love with the luminous Clara, and later in Sri Lanka, where he returns during a brief lull in the country's brutal ethnic war.

Reminiscent of V.S. Naipaul in his nuanced treatment of the melancholy of exile, Gunesekera takes the reader on an utterly absorbing journey across the late twentieth-century postcolonial world. Spanning three continents and thirty years, The Match is a "beautiful and atmospheric" (Irish Times) exploration of the nature of loss and displacement, the search for identity and love, and the possibility, in the end, of redemption and renewal.


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About the Author

Romesh Gunesekera is the author of Monkfish Moon, Reef, The Sandglass, The Match, and Noontide Toll (all published by The New Press). He grew up in Sri Lanka and the Philippines and now lives in London.

Reviews

A Sri Lankan man mired in nostalgia pursues elusive passions in this fourth, bittersweet novel from award-winning Gunesekera (Heaven's Edge). Sunny Fernando, naïve and given to elaborate fantasies, arrives at the turning point in his adolescence when a cricket match brings him into close contact with fellow Sri Lankan Tina Navratanam. Sunny suffers painful disillusionment when he thinks that he has lost Tina to a friend, which leads in turn to a discovery about his mother's death. Throughout the novel, Gunesekara offers up rich characters, including Sunny's father's best friend Hector, an amiable, patient man who acts as a fairy godfather to Sunny. Delightfully cadenced dialogue reflects both the era and place, especially once Sunny leaves Manila behind for college in England. Once there he repeats the pattern of abandoning reality for visions of the past. As he moves through the seminal moments of his life-falling in love, having a child, reuniting with friends and finally visiting the country of his birth-he struggles with a sense of "existing in a special world of his own making." Gunesekara regards his characters with affectionate indulgence as he paints the evolution of intertwined lives, with the hopeful suggestion that even seemingly ingrained character flaws can be overcome.
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Beginning and ending with cricket matches, Gunesekera’s fourth novel might seem to bear the hallmarks of familiar post-colonial fare, but its preoccupations are revelatory and unique. Sunny Fernando, uprooted from Colombo as a child by his father’s hope for a freer life, spends his adolescence in Manila before settling in London, where, far from friends and family, he struggles to achieve a sense of belonging. Sunny’s memories assume such a potent reality that the world around him—slowed and hastened, respectively, by drink and by a family of his own—sometimes seems to him a kind of solipsistic dream. His efforts to reëngage with his life are especially moving because they are presented as ordinary. Sunny’s search is not for cultural identity so much as for a basic understanding of what it means to connect.
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