"The war arrived in our village on the 18th of January. Obviously there were other wars going on, but they didn't have anything to do with us. There were wars for blacks. Wars for Arabs. Wars for Slavs. Our war started on the 18th of January, and in a few days, everything had changed."
So recounts Giuliano, a loner among outsiders, one of three young drifters caught up in the whirlwind of a war in the Balkans. The three boys are like passing shadows; they live in abandoned houses, dodge the occasional bomb, and steal car parts for money. Meeting Felix--a powerful, fast-talking mercenary--changes everything for them. Felix is an expert manipulator; he speaks to their ambition and to their desires for power, wealth, and purpose. They're instantly hooked, especially the trio's unofficial leader, Stefano, and they soon escalate from petty crime to working on behalf of a mafia-style militia, bullying and extorting money in Felix's name. But as Giuliano comes to realize, they don't know what they're fighting for--if they're even fighting for anything.
Notes for a War Story is an astonishing look at life in a lawless, war-torn nation, heightened by the harsh, moving, pencil and watercolor artwork of Italy's best graphic novel author.
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Gipi's pencil and watercolor art is forceful, realistic, and evocative, the ideal medium for depicting the rough and raw subject matter of this graphic novel. NOTES FOR A WAR STORY won the 'Best Book' prize at Angouleme, the international comics festival. First Second published his GARAGE BAND in Spring 07.
Award-winning Italian graphic novelist Gipi (Garage Band, The Innocents) returns with this bleak tale of three young drifters making their way across the war-torn landscape of an unnamed Balkan country. Told from the point of view of protagonist Giuliano, the narrative traces his path as he is forced to go through the peripheral results of war as a deadening day-to-day struggle to find food and shelter while avoiding the occasional stray bullet. Falling in with Felix, a sleazy criminal kingpin, Giuliano and his companions soon serve as executors for Felix's extortion racket and later move up the underworld food chain into endeavors in a city removed from the hardships of the war, petty thuggery slowly escalating to murder. Gipi keeps the war itself off screen, instead allowing the conflict's effects upon the young men to play out in numb, soulless detail, a storytelling device that affords the tale a stark and depressing realism further driven home by the cartoony illustrations. While not easy reading, the affecting story is made even more powerful by the understated execution. Winner of the Best Book prize at the Angoulême Comics Festival in 2005. (Aug.)
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Revisiting themes from his first American release, Garage Band (2007), Italian writer and artist Gipi tells a much darker story of disassociated youth and the bonds of friendship. Giuliano, Christian, and Little Killer wander aimlessly about an unidentified Balkan country, avoiding the militia and the shelling that a ubiquitous war has brought to their homeland. When they get into the good graces of Felix, a charming and dangerous war profiteer, they become embroiled in his crime operations and sent to the big city, where their friendship and mettle are put to the test. As grim as could be, from the bleak narration to the intentionally gruesome, black-and-white art, War Story never loses track of the fact that these are children, swept up in a situation too difficult for most adults to grasp. Their youth evidenced by their covetous enthusiasm for motorcycles and video games exacerbates the class jealousies, which flare up repeatedly, and the braggadocio with which two of the trio head toward their disturbing and inevitable end. Karp, Jesse
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