For Michael Rivers, life is perfect. He is tall, handsome and worshipped by billions of fans around the globe. He is wealthy beyond measure, the heir apparent to one of the high-tech corporations that controls the world. He is fashionable, setting trends with his wardrobe of immaculate designer suits. And Michael is in love with Nora, his beautiful, witty and equally perfect fiancée. When an assassin's bullets pierce Michael's body before the cameras at a press junket, everything changes. Forcibly separated from Nora, his illusions shattered, Michael seeks to uncover the reasons behind the attempted assassination. Michael delves deep into his past, finding that all paths lead to a time when he was the golden boy, dancing furiously to the beat of notorious all-night Rage parties thrown by his father.
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Jon Armstrong is a speculative fiction writer. His first novel, Grey, was published in 2007 and was short-listed for the Philip K Dick Award. That same year, Jon was also nominated for the Campbell Award for Best New SF Writer.
A Romeo-and-Juliet tale of star-crossed lovers and their conflicted families plays out against a futuristic backdrop shaped by outrageous fashion trends in Armstrong's offbeat debut fantasy. Michael Rivers, heir-apparent to a hi-tech security empire, is poised to wed Nora Gonzalez-Matsu, heiress-apparent to a rival firm, when an assassin's failed attempt on his life humiliates the company and scuttles the nuptials. Though the planned union seemed as calculated as the business merger behind it, incurably romantic Michael believes that Nora, whose lifestyle is governed by the same fashion magazine to which he's addicted, is his soul mate. When he repudiates his father's scheme to marry him into another corporate family and attempts a forbidden reunion with Nora, he discovers nasty realities that have made his coddled life possible. This routine romance plot is virtually secondary to the giddy elaboration of a future world so saturated with advertising and fashion imagery that its most public transactions are orchestrated like runway walks. Though the story runs on a little longer than it should, its playful take on fashionistas of the future is diverting. (Feb.)
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