With the publication of Chicago Poems in 1916, Carl Sandburg became one of the most famous poets in America: the voice of a Midwestern literary revolt, fusing free-verse poetics with hard-edged journalistic observation and energetic, sometimes raucous protest.
By the time his first book appeared, Sandburg had been many things—a farm hand, a soldier in the Spanish-American War, an active Socialist, a newspaper reporter and movie reviewer—and he was determined to write poetry that would explode the genteel conventions of contemporary verse. His poems are populated by factory workers, washerwomen, crooked politicians, hobos, vaudeville dancers, and battle-scarred radicals. Writing from the bottom up, bringing to his poetry the immediacy of America’s streets and prairies, factories and jails, Sandburg forged a distinctive style at once lyrical and vernacular, by turns angry, gritty, funny, and tender.
Paul Berman takes a fresh look at Sandburg’s work and what it can tell us about twentieth-century America in a volume that draws on such volumes as Cornhuskers, Smoke and Steel, and Slabs of the Sunburnt West.
About the American Poets Project
Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.
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When Illinois-born Carl Sandburg was awarded the Pulitzer Prize for poetry in 1951, it was the crowning achievement of his nearly half century career as a poet. At the time he was one of America's most popular living poets. His work embodied the American experience and spoke deeply to the hearts of the very people who inspired his greatest poems. For them, Sandburg symbolized America's innate integrity and boundless promise.
This volume contains the poems upon which Sandburg built his reputation and career. The four poems selected from his rarely reprinted first collection, "In Reckless Ecstasy, provide a fascinating glimpse into his developing talent. They show him slowly breaking free of traditional verse forms toward his own voice.
This book features a deluxe cover, ribbon marker, top stain, and decorative endpapers with nameplates.
Paul Berman is a writer in residence at New York University and the author of several books, including The Flight of the Intellectuals. His essays on poets and poetry have appeared in The Nation, The New Republic, The New York Times Book Review, The New Yorker, Parnassus, and elsewhere.
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