About the Author:
Jana Harris teaches creative writing at the University of Washington and at the Writer’s Workshop in Seattle. She is editor of Switched-on Gutenberg and author most recently of Horses Never Lie about Love.
Review:
“In this compelling collection, Jana Harris, poet and longtime researcher of the pioneer era, imagines and animates the voices of 19th-century women as they adapt to the frontiers of marriage and the American West. While Harris’s vivid language and imagery offer more than enough pleasures to delight and sustain the reader, it is her remarkably intuitive grasp of individual lives (inner and outer) that makes this book an exceptional, complex realization of time, place and experience. It might be said Harris has written a novel in poems―a novel one can’t put down.” (Ann McCutchan, author of River Music: An Atchafalaya Story and Circular Breathing: Meditations from a Musical Life)
“Harris is the bard of pioneer women’s voices in the Northwest and now . . . it is clear that she is speaking for a vast American experience in the nineteenth century, one that resonates to this very day. . . . ‘Who can account,’ she writes in her rendering of the voice of Lucy Stevens from Oregon, 1875, ‘for what catches in memory’s cogs?’ It is the American experience that has caught in Harris’ cogs and here she gives it back to us in all its glory.” (Janet Sternburg, author of Phantom Limb; White Matter: A Memoir of Family and Medicine; The Writer on Her Work)
“In poems at once accessible and deep, Jana Harris brings to vibrant life the women who pioneered the Pacific Northwest. While they faced an array of common struggles, in Harris’s wise telling they emerge nonetheless as unforgettable individuals." (Suzanne Lebsock, author of A Murder in Virginia: Southern Justice on Trial)
“You Haven’t Asked About My Wedding or What I Wore is both a wrenching history lesson and a lyrical celebration of courage." (Valerie Miner, author of Traveling with Spirits)
"A marvel of storytelling and a totally unique way of breathing life into stuffy archives, making women’s lives hum, with its acute sense of place and language. It’s a thrilling, daring work.” (Louise Bernikow, author of Among Women and Dreaming in Libro: How a Good Dog Tamed a Bad Woman)
"About this title" may belong to another edition of this title.