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Synopsis
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning.
At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book.
Upon publication, sound recordings of zaum poems featured in the book will be made available at www.getty.edu.
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About the Author
Nancy Perloff is curator of modern and contemporary collections at the Getty Research Institute. She is coeditor, with Brian M. Reed, of Situating El Lissitzky: Vitebsk, Berlin, Moscow (Getty Publications, 2003).
"About this title" may belong to another edition of this title.
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Explodity: Sound, Image, and Word in Russian Futurist Book Art
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Explodity: Sound, Image, and Word in Russian Futurist Book Art
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Explodity: Sound, Image, and Word in Russian Futurist Book Art
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Getty Research Institute, 2017
ISBN 10: 1606065084
ISBN 13: 9781606065082
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Seller: HPB Inc., Dallas, TX, U.S.A.
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Explodity: Sound, Image, and Word in Russian Futurist Book Art
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Hardcover. Condition: Fine. 1st. Pictorial boards, vii, 199 pages, illustrations (chiefly colour); 22 cm. Firm binding, clean inside copy. *** "The artists' books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets--including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky--collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning 'beyond the mind') that was distinctive in its emphasis on 'sound as such' and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval' (Explodity). In addition, Nancy Perloff examines the profound difference between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist's book." - Publisher. *** CONTENTS: From the provinces: anticipations of Mirskontsa; Sounding the accidental ("death to symbolism"); Mirskontsa: collaborative book art and transrational sounds; Unlocking the semantics of sound in vzorval'; The afterlife of Russian futurist book art. Size: 8vo. Collectible. Seller Inventory # 116433
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Explodity: Sound, Image, and Word in Russian Futurist Book Art
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Explodity: Sound, Image, and Word in Russian Futurist Book Art
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Explodity â" Sound, Image, and Word in Russian Futurist Book Art (Getty Publications â" (Yale))
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