Beirut is the 2009 World Book Capital, as designated by UNESCO, and at the center of the festivities, in collaboration with the world-renowned Hay Festival, is a competition to identify the thirty-nine most promising young talents in Arab literature. The selection of the "Beirut 39" follows the success of a similar competition in the 2007 World Book Capital, Bogotá, celebrating achievements in Latin American literature. This year, for the first time, the winners nominated by publishers, literary critics, and readers across the Arab world and internationally, and selected by a panel of eminent Arab writers, academics, and journalists will be published together in a one-of-a-kind anthology. Edited by Samuel Shimon of Banipal magazine, the collection will be published simultaneously in Arabic and English throughout the world by Bloomsbury and Bloomsbury Qatar Foundation Publishing. Beirut 39 provides an important
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Amin Maalouf was a journalist in Lebanon until the civil war in 1975, when he left for Paris with his family. His work, including The Crusades Through Arab Eyes and the novel Samarkand, has been translated into more than forty languages. He has won the Prix Goncourt for his novel The Rock of Tanios, and the Prince of Asturias Award for Literature.
This fascinating collection of pieces by 39 young Arab voices from all over the world was put together by the Hay Festival in celebration of Beirut's 2009 selection as World Book Capital. Incorporating stories, poems, and novel excerpts, the enormously varied lineup includes Abdellah Taia's The Wounded Man, about a gay university student in Morocco watching a forbidden French film during Ramadan; an excerpt from Frankenstein in Baghdad by Ahmad Saadwi, in which a garbage-diver searches for the perfect nose to complete the hybrid body he's assembling; and Haneef from Glasgow by Mohammad Hassan, in which a Kashmiri immigrant is viewed through the eyes of his Saudi employers' son. Nazem El Sayed contributes delightfully compact revelations in his Thirteen Poems; Randa Jarrar takes a tender look at a Palestinian boy in The Story of My Building; Hala Kawtharani explores the Beirut of the 1950s and '60s in Lebanon/Switzerland? Beirut/Paris? Because they are so involving and diverse, readers may be frustrated by the entries' brevity, though anyone working on their to-read list will find plenty of ideas. (June)
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