It is 1958, and as Laika, the Sputnik dog, is launched into space, Golly Murray, the Cullymore barber's wife, finds herself oddly obsessing about the canine cosmonaut. Meanwhile, Fonsey "Teddy" O'Neill is returning, like the prodigal son, from overseas, with Brylcreem in his hair and a Cuban-heeled swagger to his step, having experienced his coming-of-age in Skegness, England. Father Augustus Hand is working on a bold new theatrical production for Easter, which he, for one, knows will put Cullymore on the map. And, as the Manchester United football team prepares to take off from Munich airport, James A. Reilly sits in his hovel by the lake outside town, with his pet fox and his father's gun, feeling the weight of an insidious and inscrutable presence pressing down upon him.
As these imperiled characters wrestle with their identities, mysteriously powerful narrator plucks, gently, at the strings of their fates, and watches the twitching response. This novel is a devil's-eye view of a lost era, a sojourn to the dark side of our past, one we may not have come back from. With echoes of Peyton Place and Fellini's Amarcord, and with a sinister narrator at its heart, this is at once a story of a small town―with its secrets, fears, friendships, and betrayals―and a sweeping, theatrical extravagance from one of the finest writers of his generation.
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Patrick McCabe was born in Clones, Co Monaghan, Ireland, in 1955. His novels include Carn; The Dead School; The Butcher Boy, winner of the Irish Times/Aer Lingus Literature Prize, shortlisted for the 1992 Booker Prize and made into a highly acclaimed film directed by Neil Jordan; Breakfast on Pluto, also shortlisted for the Booker Prize; Winterwood, winner of the Irish Novel of the Year 2007 and, most recently, The Holy City. He lives in Clones.
McCabe's enjoyable final installment to his Small-Town series (after The Holy City) is the charming and often dark ensemble story of Cullymore in 1957, a small Irish town near the U.K. border. While fending off death threats from the town outcast, local priest Father Hand announces an Easter play that is sure to be the envy of all Ireland (and, more importantly, his priestly nemesis). Fonsey O'Neill returns a changed man after 18 months in England and expects to marry his old flame, but she may have found someone new. Golly Murray, the Protestant wife of the Catholic barber, secretly yearns to see something horrible befall her condescending, well-to-do friend. And linking them all together is the omniscient and increasingly devious narrator, whose meddling and commentary inform the townspeople's feelings of being strangers in their own skin. McCabe astutely paints a portrait of life in one Irish village, where people struggle both to adapt to modernity and to keep their traditional demons at bay. Historically authentic and with a timeless resonance, this tale provides an appreciable balance of humor, poignancy, and that signature Irish warmth.
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