Disappearing Address - Softcover

Muench, Simone; Jenks, Philip

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9781609640248: Disappearing Address

Synopsis

“Dear Leatherface,” “Dear Danger,” “Dear Film Noir,” “Dear Chanteuse of the Abattoir for Young Girls” — if you loved Simone Muench’s Orange Crush as much as I did, you’ll recognize in these titles from Disappearing Address the return of her great animating idea: femininity excited by danger. Muench collaborates with Philip Jenks here to return to the theme in a series of letters to villains from horror films, to abstractions, to icons of pop culture like Morrissey or the high school dance. The exploded syntax of the letters makes for a kaleidoscope of the sublime and the mundane — Coca-Cola, Pop Rocks, and the Day of Judgment jostle one another in a kind of phantasmagoria. There’s wit here — “Dear Nothing” begins “why’d you have to cut out & make everything come back,” “Dear Obtuse” begins “Be straight with me” — but the best of the poems revel in novel images and a diction for which the only possible term is “hothouse gorgeous.” —Robert Archambeau

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About the Authors

Simone Muench was raised in small Louisiana towns and the Ozarks in Arkansas. She is the author of The Air Lost in Breathing (Marianne Moore Prize for Poetry; Helicon Nine, 2000), Lampblack & Ash (Kathryn A. Morton Prize for Poetry; Sarabande, 2005), and Orange Crush (Sarabande, 2010). She has been a recipient of a two Illinois Arts Council Fellowships, a VSC Fellowship, the 49th Parallel Award for Poetry, the Charles Goodnow Award, the AWP Intro Journals Project Award, the Poetry Center's Annual Juried Reading Award, and the PSA's Bright Lights/Big Verse Prize. She received her Ph.D from the University of Illinois at Chicago, and is director of the writing program at Lewis University where she teaches creative writing and film studies. Currently, she serves on the advisory board for Switchback Books and UniVerse: A United Nations of Poetry, and is an editor for Sharkforum.

Philip Jenks was born in the south, grew up in Appalachia and came alive in the Pacific Northwest. Now he's haunting Chicago. His poems have appeared in Chicago Review, Typo, FENCE, Cultural Society, H_NGM_N, Canarium, LVNG, and elsewhere. He has published two full-length volumes of poetry, ON THE CAVE YOU LIVE IN (Flood Editions, 2002) and MY FIRST PAINTING WILL BE "THE ACCUSER" (Zephyr Press, 2005). He also published two chapbooks—The Elms Left Elm Street (Plane Bukt, 1994) and How Many of You Are You? (Dusie, 2006). His collaboration with Simone Muench, Little Visceral Carnival, was published by Cinemateque Press, 2009. He also collaborated with Sasha Miljevic, publishing Distance, an ekphrastic hybrid of prose and poetry (Dutch Art Institute, 2009). He recently completed his third manuscript, Colony Collapse.

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