The Waste Land [Facsimile of 1922 First Edition] - Softcover

Eliot, T. S.

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9781614274315: The Waste Land [Facsimile of 1922 First Edition]

Synopsis

2013 Reprint of 1922 Edition. "The Waste Land" is a 434-line modernist poem by T. S. Eliot published in 1922. It has been called "one of the most important poems of the 20th century." Despite the poem's obscurity-its shifts between satire and prophecy, its abrupt and unannounced changes of speaker, location and time, its elegiac but intimidating summoning up of a vast and dissonant range of cultures and literatures-the poem has become a familiar touchstone of modern literature. Among its famous phrases are "April is the cruellest month," "I will show you fear in a handful of dust," and the mantra in the Sanskrit language "Shantih shantih shantih."

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Review

After sitting through T.S. Eliot's reading of "The Waste Land," listeners may be inclined to hang up the earphones for a spell. There are no flaws to Eliot's steady-toned interpretation; in fact, his delivery is quite remarkable in its ability to match the poem's constant, somber mood. It's just that 25-plus minutes of Eliot's desolate landscapes--rendered even more real by the author's incessant tones--can wear on the emotions.

In addition to the full-length version of "The Waste Land," this recording includes Eliot's stirring narration of "The Hollow Men," "Sweeney Among the Nightingales," and "Macavity the Mystery Cat." Listen to Eliot read from "The Waste Land." Visit our audio help page for more information. (Running time: 47 minutes, 1 cassette) --Rob McDonald

From the Back Cover

This volume brings together the full contents of Prufrock and Other Observations (1917), Poems (1920), and The Waste Land (1922), together with an informative introduction and a selection of background materials. Included as well are two of Eliot’s most influential essays, “Tradition and the Individual Talent” (1919) and “The Metaphysical Poets” (1921).

As with other volumes in this series, the material appearing here is for the most part drawn from The Broadview Anthology of British Literature, acclaimed as “the new standard” in the field. Appendices include a wide range of contextual materials pertaining to Modernism; writings by Ezra Pound, H.D., and Mina Loy; reviews of The Waste Land; art by Wyndham Lewis; and excerpts from essays by Virginia Woolf and others.

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