Set against the rise of fascism in 1930s Europe, While England Sleeps tells the story of a love affair between Brian Botsford, an upper-class young English writer, and Edward Phelan, an idealistic employee of the London Underground and member of the Communist Party. Though far better educated than Edward, Brian is also far more callow, convinced that his homosexuality is something he will outgrow. Edward, on the other hand, possesses “an unproblematic capacity to accept” both Brian and the unorthodox nature of their love for each other-until one day, at the urging of his wealthy aunt Constance, Brian agrees to be set up with a “suitable” young woman named Philippa Archibald . . . Pushed to the point of crisis, Edward flees, volunteering to fight Franco in Spain, where he ends up in prison. And Brian, feeling responsible for Edward's plight, must pursue him across Europe, and into the chaos of war.
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David Leavitt's fiction includes the collection Family Dancing and the novels The Lost Language of Cranes, The Body of Jonah Boyd, The Indian Clerk (finalist for the PEN/Faulkner Award and shortlisted for the IMPAC Dublin Literary Award), and The Two Hotel Francforts. He is also the author of two nonfiction works, The Man Who Knew Too Much and Florence, A Delicate Case. He is professor of English at the University of Florida in Gainesville, and edits the literary magazine Subtropics.
www.davidleavittwriter.com
The title echoes JFK's Why England Slept, but Leavitt's third novel (A Place I've Never Been, 1990; Equal Affections, 1989) is not primarily political: he uses the Spanish Civil War as a backdrop for his love story of two gay Englishmen. London, 1936. Recent Cambridge graduate Brian Botsford runs with an upper-class, left-wing crowd while he labors over his first novel and lives on checks from his Lady Bracknell-ish Aunt Constance (both his parents are dead). At an Aid to Spain meeting, he cruises subway ticket collector Edward Phelan and is soon enjoying the ``raw sexual display'' of this working-class youth, meeting his family and inviting Edward to share his simple bed- sitter. Brian is a fickle hedonist; he abandons his idea of leaving for Spain to fight the Fascists for this romance across the class divide, but then leaves his loyal partner home with The Communist Manifesto while he parties with the smart set and begins an affair with the worldly-wise Philippa, under the delusion that his homosexuality is a youthful phase before marriage and children. The turning point comes when Philippa, knowing Brian better than he knows himself, rejects his proposal; Edward, meanwhile, has read Brian's tell-all journal and left for Spain in shock. Racked by guilt, Brian at last leaves for Spain himself, to rescue Edward from the international brigade; Edward has turned pacifist and is being tried for desertion. He'll eventually be sprung by one of the judges (another upper-class gay Englishman) but will die of typhoid on the sea voyage back to England with Brian. Leavitt has bravely attempted to extend his range; too bad the result is glib and melodramatic. It's not just the corny plot devices: whether it's politics or class, he has the words but not the tune. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
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