First published in 1917 by Alfred A. Knopf, this collection of Algernon Blackwoods short stories includes some of his mostbeloved classics:
The LISTENER:
A reclusive, impoverished writer is delighted to find an inexpensive home in an old building at the heart of London; but in the course of three months living there, he comes to understand why its so cheap...
MAX HENSIG: Bacteriologist and Murderer:
A tabloid newspaper reporter is assigned to cover the trial of a frightful psychotic murderer, and earns his implacable enmity. Then the murderer is set free, and the deadly cat-and-mouse game begins....
The WILLOWS:
A pair of adventurers on a canoe trip down the Danube discover, after stopping for the evening on a small island covered with tiny willow trees, that they are trespassers at the gate of unknown and hostile forces from beyond the Earth--and they may never get off the island alive.
The INSANITY of JONES:
An mild-mannered clerk in a fire insurance office becomes convinced, through theintervention of the ghost of a deceased co-worker, that his manager was aalguacil of the Spanish Inquisition who tortured him to death in a past life -- so he buys a gun.
The DANCE of DEATH:
A young man, just diagnosed with a weak heart and feeling despondent about it, goes to a dance, where he meets the woman of his dreams. But is she real, or a ghost? And if she is a ghost, what is he?
The OLD MAN of VISIONS:
The old man didnt talk much, but if one were allowed into his garret room, one could look out the window and see beyond the veils of the material world. But he was careful to warn: "Should you seek to explain me to another, you must lose me beyond recall."
MAY DAY EVE:
A skeptical, materialistic physician, on the way to visit a dreamy folklore professor, strays from the road on May Day Eve and finds himself wandering helpless and lost as the wild English moors transform into a strange and terrifying spirit world.
MISS SLUMBUBBLEand CLAUSTROPHOBIA:
Miss Daphne Slumbubble, a forty-something unmarried lady with bird-like mannerisms and abiding fears of men, is on holiday when for no apparent reason a ghostly terror creeps into her soul; she panics and tries to leap from the train. She later learns she isn't the first to do so.
The WOMAN'S GHOST STORY:
She was a psychic investigator on the job, trying to learn if a famous house was haunted or not. It was indeed haunted when she arrived ... but the ghost had a very peculiar request.
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Algernon Blackwood (1869-1951) was born into a well-to-do Kentish family. His parents, converts to a Calvinistic sect, led an austere life, ill-suited to their dreamy and sensitive son. During adolescence, he became fascinated by hypnotism and the supernatural and, on leaving university, studied Hindu philosophy and occultism. Later, he was to draw on these beliefs and experiences in his writing. Sent away to Canada at the age of twenty, his attempts at making a living were wholly unsuccessful and shortly after his return to England, he began to write. The Empty House and Other Ghost Stories, published in 1906, was followed by a series of psychic detective stories, featuring John Silence, 'physician extraordinary'. His reputation as one of the greatest exponents of supernatural fiction began to grow. Chiefly known for his ghost stories, Blackwood wrote in many different forms within the genre. His most personal works, however, are his 'mystical' novels, for example The Centaur, where he explores man's empathy with the forces of the universe. Blackwood also wrote children's fiction. A Prisoner in Fairyland was adapted into the play (later the musical), Starlight Express. Later in life, Blackwood turned to writing radio plays, and in 1947 he began a new career on BBC TV telling ghost stories. He received a knighthood in 1949.
"Of the quality of Mr. Blackwood's genius there can be no dispute.... He is the one absolute and unquestioned master of weird atmosphere; and can evoke what amounts almost to a story from a simple fragment of humourless psychological description." -H.P. Lovecraft "This is perhaps a key differentiation that can be made between [Blackwood's] writing and that of his actual and approximate contemporaries: Lovecraft's sanity-shattering ontological paradigm shifts and Machen's drawing-back of the veil on the adumbral numinous are not entirely absent, but the focus is on the annihilation of the ego; the loss of personality; engulfment." -Weird Fiction Review
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