Cinemasaurus examines contemporary Russian cinema as a new visual economy, emerging over three decades after the Soviet collapse.
Focusing on debates and films exhibited at Russian and US public festivals where the films have premiered, the volume’s contributors—the new generation of US scholars studying Russian cinema—examine four issues of Russia’s transition:
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Alexander Prokhorov teaches Russian and Film Studies Programs at The University of William & Mary.
Elena Prokhorova teaches at Russian and Film Studies Programs at The University of William & Mary.
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Paperback. Condition: new. Paperback. Cinemasaurus examines contemporary Russian cinema as a new visual economy, emerging over three decades after the Soviet collapse.Focusing on debates and films exhibited at Russian and US public festivals where the films have premiered, the volume's contributors-the new generation of US scholars studying Russian cinema-examine four issues of Russia's transition:Its imperial legacyThe emergence of a film market and its new genresRussia's uneven integration into European values and hierarchiesThe renegotiation of state power vis--vis arthouse and independent cinemas.An introductory essay frames each of the four sections, with 90 films total under discussion, concluding with a historical timeline and five interviews of key film-industry figures formative of the historical context. Cinemasaurusexamines ninety recent films over three decades, focusing on four issues ofRussia's transition: (1) its imperial legacy, (2) the film market and newgenres, (3) the dialogue with European values and hierarchies, (4) itsrenegotiation with state power. Itscontributors include the next generation of US-Russian cinema scholars. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781644692714
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Paperback. Condition: New. Cinemasaurus examines contemporary Russian cinema as a new visual economy, emerging over three decades after the Soviet collapse. Focusing on debates and films exhibited at Russian and US public festivals where the films have premiered, the volume's contributors-the new generation of US scholars studying Russian cinema-examine four issues of Russia's transition: Its imperial legacy The emergence of a film market and its new genres Russia's uneven integration into European values and hierarchies The renegotiation of state power vis-ą-vis arthouse and independent cinemas. An introductory essay frames each of the four sections, with 90 films total under discussion, concluding with a historical timeline and five interviews of key film-industry figures formative of the historical context. Seller Inventory # LU-9781644692714
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