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Frank Durham is a retired Tulane University physics professor who honed his writing as the Sewanee Writers conference. Invocation of the "singing of the story," and "the world beyond here and beside now" lends his debut novel the requisite mythical atmosphere, and an environmental jolt at the end adds relevance. One of "the tribe of tellers," Durham comes up with the occasional shot of undeniable truth ("You know how much like hope a dream can be.") And that's really all a reader can demand of an author. --Maude McDaniel, Bookpage
Cain's Version is a haunting novel cooked with Garcia Marquez's imaginative fire and served with Peter Taylor's Southern finesse, inventing "biblical magical realism" in the process. Across the centuries, Cain stalks his mother Eve, now living on a Louisiana farm, and once more a boy must be sacrificed. Within the lives of moving contemporary characters, Frank Durham masterfully charts the eternal return of our creation myths: the waters rise, the tower falls, and fratricide is unleashed in the garden, again and again. --James Nolan, Author of Perpetual Care: Stories
In his complex, mystical debut novel, Frank Durham concocts a post-Edenic yarn set in a small laid-back town in central Louisiana. Lindy Caton, 42, divorces her itinerant preacher husband who slept with men and gets herself involved with three "half-crazy" old ladies in Acheron-Seelah, Adhah and Uhwa- raising a truck garden. The old ladies tell vivid Bible stories, while Lindy mulls over the fate of her mother, "Sunshine" Caton, who took off with a neighbor years before. Turns out the eldest old woman, Uhwa, is actually the biblical Eve who arrived with her sisters after an epic flood to live in modern Acheron. The sisters were rescued from the deluge by Cain, who has wandered the earth yearning to make peace with his mother over slaying his brother, Abel. Durham draws parallels between Sunshine's reckless flight to Wyoming and Cain's roving that help to inform Lindy's quest to understand the past. Cain's sections, however (particularly his overwrought quest for his mother's pardon), are told in a stilted prose that slows the story's pace and compromises its accessibility in an otherwise inventive first novel. --Publisher's Weekly, Oct. 2008
Of all the Bible's perplexities, the story of Cain and Abel is surely one of the most arresting. Why did God refuse Cain's sacrifice? Why did Cain kill Abel? Why did God mark Cain to preserve him from death? And what happened to Cain after he was exiled to a life of wandering? The Bible doesn't say, and these questions, together with myriad others, form the heart of Frank Durham's intriguing first novel, Cain's Version. But this summary represents only the surface of Durham's remarkable novel. The book's sedimented layers of meaning and association generate an exhilarating intellectual puzzle. Freudian flags appear frequently, along with hints of other myths of creation, death and the flood. The novel is serious in tone and purpose, powerfully written in almost Biblical cadences which can transfix the reader. Consider the opening lines of the novel, with Cain speaking: "I will find my mother Eve." --Wayne Christeson, Nashville Scene
Bible stories have such a hold on our imaginations and have provided such rich inspiration for writers throughout history. In Cain's Version, his first novel, retired Tulane University physics professor Frank Durham provides a contemporary Southern gothic version of that Old Testament tale of two brothers.
Durham has the gift of creating a complete world, once the reader enters Acheron, that town, that landscape, those characters and their special language are all enveloping. Dream, memory, myth, and the contemporary world all merge into this compelling story of the human need for healing and reconciliation. This is a novel of rivers and trees, gardens and towers, a rich look at the way the long ago appears in the here and now. Source: The Times Picayune, Susan Larson
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