It's been seven months since all the adults disappeared. Gone.
It happens in one night. A girl who died now walks among the living; Zil and the Human Crew set fire to Perdido Beach; and amid the flames and smoke, Sam sees the figure of the boy he fears the most: Drake. But Drake is dead. Sam and Caine defeated him along with the Darkness—or so they thought.
As Perdido Beach burns, battles rage: Astrid against the Town Council; the Human Crew versus the mutants; and Sam against Drake, who is back from the dead and ready to finish where he and Sam left off. And all the while deadly rumors are raging like the fire itself, spread by the prophetess Orsay and her companion, Nerezza. They say that death is a way to escape the FAYZ. Conditions are worse than ever and kids are desperate to get out. But are they desperate enough to believe that death will set them free?
"synopsis" may belong to another edition of this title.
It's been seven months since all the adults disappeared. Gone.
it happens in one night: a girl who died now walks among the living; Zil and the Human Crew set fire to Perdido Beach, and amid the flames and smoke, Sam sees the figure of the boy he fears the most: Drake. But Drake is dead—or so they thought.
Perdido Beach burns and battles rage: Astrid against the Town Council; the Human Crew versus the mutants; and Sam against Drake, who is back from the dead and ready to finish where he and Sam left off. They say that death is a way to escape the FAYZ. But are the kids of Perdido Beach desperate enough to believe that death will set them free?
Michael Grant is nothing like Mack MacAvoy. He travels all over the globe, he has a bit of a sarcastic streak, and he secretly suffers from belonephobia, a fear of needles. Seriously: Do not invite him to a sewing bee. Or a tattoo parlor. Okay, fine, maybe he’s a little like Mack MacAvoy.
Michael is the New York Times bestselling author of the Gone series and has written a total of 150 books (yes, you read that right: one hundred and fifty). He wrote most of his books with his wife, Katherine Applegate (K.A.), but the action-packed thrillers in the Gone series are all his. As is his newest series, the Magnificent Twelve, in which he delves into his inner (or, some might say, not so inner) child to create Mack, the unlikeliest of heroes.
When Michael isn’t busy writing, he likes to travel, stare blankly at the TV, waste hours clicking aimlessly around the internet, listen to rock music and sing along in a nasal voice, complain, and go out to eat.
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