The Days of the Bitter End - Softcover

Engelhard, Jack

Softcover

ISBN 10: 1771431032 ISBN 13: 9781771431033

Publisher: DayRay Literary Press, 2013

Synopsis

Jack Engelhard's The Days of the Bitter End may well be the definitive word on the 1960s. This is a landmark book, masterfully evocative. Engelhard once again proves himself to be a truly great novelist in this beautifully crafted historical novel that recaptures an era that has left an indelible mark on our culture to this day. Read it and laugh, read it and weep, because it's all here, the way it was back then, the age of innocence soon to be shattered, but then reborn. This is what it was like to be young, every moment an adventure. Brilliant.

About this title

From the Publisher:

Set against the backdrop of a monumental news event that touched the lives of all Americans — the assassination of John F. Kennedy — The Days of the Bitter End vividly takes us back to an era that dominates our culture to this very day. The novel captures the passion, and the drama of the 60s, as it recreates the idealism that was won at the emergence of JFK, and then lost at the onset of Vietnam.

Jack Engelhard’s book is a true original, especially in the author’s masterful portrayal of his fictional Cliff Harris, the comedian whose career was based solely upon his talent to imitate our most glamorous president — and who thereby personifies not only JFK, but the entire spectrum of that pulsating era.

The novel brings to life the people, places and events that made the 60s so indelible, and Engelhard succeeds in bringing his vision to the fore as he sets before us a Greenwich Village — the focal point of the novel and the 60s — that throbs "to the beat of bongo-drums." . . .

We all was somewhere the day President John F. Kennedy was shot and killed in Dallas. Those of us old enough, say in our mid-forties now, remember exactly where we heard the news. Those too young or not yet born on November 22, 1963 are nonetheless still paying for the events of the day the world stopped on its axis and began to spin the other way. Certainly, Jack Engelhard remembers, and so would each of the memorable characters from his latest novel, The Days Of the Bitter End.

For Ben Jaffa, doorman at the Bitter End, a popular club on Bleecker Street in Greenwich Village—the tough young man closest to Jack’s own experience — the November day punctuated his growing alienation from the Village scene, his three buddies, Richie, Howie, and Cliff, and his girlfriend Louise Carmen, whom he shares with Richie. Ben is a perennial exile, a refugee from Nazi-occupied France who is at home anywhere and no place. At a time of civil rights protests and hootenannies, when Bob Dylan and Peter, Paul and Mary sang the songs that topped the charts, and the middle class snickered at Lenny Bruce while he excoriated the sexual foibles of the middle class, Ben’s beef is mainly with himself. He is existential enough to have stepped out of Camus.

Richie Bell, a rich kid from Connecticut, is nicer, flakier, a guitar strummer. But it is typical of Engelhard’s subterranean way with a story that Richie keeps a poisonous snake as a pet and maybe a homicidal tool. Howie, a shmo everybody makes fun of, turns out to be as convoluted as the snake and more dangerous. Louise Carmen is a pleasant surprise: a sophisticated coal miner’s daughter who sings, and loves, better than Loretta Lynn. In this rich novel you are going to mine some nuggets of character. . . .

In a sense, Bitter End is the story of the rise and fall of Cliff Harris, from Philadelphia obscurity to America’s most popular comedian. Cliff is a superb impersonator who does JFK so well that Jackie could hardly tell the difference. He is a mainstay of that strange postwar institution, the Ed Sullivan Show. But when the dashing young president is gunned down, what becomes of his shadow? You probably won’t guess right. Bitter End is a classy and classical novel with the triple unities of time, place and action. Yet it brings to life the sixties scene with all its exuberance, fun sex and pot-smoking, and devious police informing. It is Engelhard’s most heartfelt work to date, easy to read, easy to like, but hard to forget. Like that day in November when a lot of us lost our innocence.

From the Author:

We are still living under the umbrella of the 60s. This is where today’s culture had its foundation. However, when we talk about the 60s, we’re talking about a decade that had two different faces — comedy (first half), tragedy (second half). I tried to reflect that in the novel. I concentrated more on the first half because the period that signals a change is more dramatically appealing to me than the change itself — like James Jones From Here To Eternity. I mean, How did things so sweet get so bitter? was my question. (I happen to believe that a novel should ask more than it answers. Answers are for the reader. Questions are for the author. That’s the difference between Hemingway and Fitzgerald. Hemingway had the answers, Fitzgerald had the questions. And as of the moment Fitzgerald is outlasting Hemingway).

I don’t think there is such a thing as being overly idealistic as long as you don’t become a zealot. Idealism is fine as long as it doesn’t become fanaticism. As far as I know, the 60s were our only idealistic decade of the past 40 years. It is my view that the 60s made the indelible imprint that persists to this day — politically and culturally. Relations between men and women (women’s liberation, sexual liberation), relations between the races (protests that sparked civil rights legislation in ‘64 and ‘65) are very much a part of our lives to this day.

About this edition

• Publisher: DayRay Literary Press
• Publication date: 2013
• ISBN 10: 1771431032
• ISBN 13: 9781771431033
• Binding: Paperback
• Edition number: 3
• Number of pages: 278