Items related to Canadian Performance Documents and Debates: A Sourcebook

Canadian Performance Documents and Debates: A Sourcebook - Softcover

 
9781772126044: Canadian Performance Documents and Debates: A Sourcebook

Synopsis

Canadian Performance Documents and Debates provides insight into performance activities from the seventeenth century to the early 1970s, and probes important yet vexing questions about Canada as a country and a concept. The volume collects playscripts and archival material to explore what these documents tell us about the values, debates, and priorities of artists and their audiences from the past 400 years. Analyses throughout rethink the significance of theatre, dance, opera, circus, and other performance genres and events. This landmark collection challenges readers to reconsider Canadian theatre and performance history. Foreword by Jerry Wasserman. Contributors: Clarence S. Bayne, Kym Bird, Justin A. Blum, Amy Bowring, Jill Carter, Jenn Cole, Cynthia Cooper, Heather Davis-Fisch, Moira J. Day, Ray Ellenwood, Alan Filewod, Howard Fink, Liza Giffen, J. Paul Halferty, James Hoffman, Erin Hurley, John D. Jackson, Stephen Johnson, Sasha Kovacs, Sylvain Lavoie, Louis Patrick Leroux, Allana C. Lindgren, Denyse Lynde, Erin Joelle McCurdy, Wing Chung Ng, Glen F. Nichols, M. Cody Poulton, VK Preston, Daniel J. Ruppel, Jordan Stanger-Ross, Paul J. Stoesser, Christl Verduyn, Anthony J. Vickery, Anton Wagner

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About the Authors

Anthony J. Vickery is Teaching Professor in the Department of Theatre at the University of Victoria.

Glen F. Nichols is Professor of Drama at Mount Allison University.

Allana C. Lindgren is the Dean of the Faculty of Fine Arts at the University of Victoria.

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“Theatre history texts have traditionally come in two kinds: anthologies of plays and narrative histories containing some play excerpts. This volume represents both a synthesis of those two genres and something new, a mix-and-match documentary approach that substitutes ‘performance’ for ‘theatre’ and lays out a progressive agenda for the study of Canadian performance in historical contexts.” Jerry Wasserman, from the Foreword

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