About the Author:
Margherita Dessanay graduated from the University of Cagliari with a degree in the History of Art before studying for an MA in Contemporary Art Theory at Goldsmith's, University of London. She writes regularly for Elephant magazine and has co-written a number of books, including It's A Stick Up! and Stencil Republic.
Marc Valli is the founder of the retail and book-selling company Magma as well as the magazines Graphic and Elephant. His books include RGB: Reviewing Graphics in Britain, Walk the Line and Microworlds (also with Margherita Dessanay).
From Booklist:
*Starred Review* In the age of smartphones, everyone is a photographer, and images are rampant. So why do artists still paint? Why do we still love to look at paintings? And why is figurative painting thriving all around the world? Valli and Dessanay address these questions with stimulating acuity, analyzing the power of the human touch and the humanizing eye. Unlike the throwaway images that incessantly come and go on our screens, paintings have presence and substance and deep roots in art history. The figurative tradition is attaining new levels of complexity and daring in the twenty-first century in dynamic response to the digital photo explosion. In this unique book’s magnificent array of figurative paintings by 51 artists from around the world, each artist’s comments about his or her work accompany multiple examples, all very recent, some painted from life, many appropriating mass media images, and others offering futuristic imaginings. Here are the French painter Guillaume Bresson’s Tintoretto-inspired, intricately choreographed scenes of street violence; Australian Jeremy Geddes’ photorealist yet surreal paintings of astronauts falling into urban settings; the highly expressive sociopolitical portraits of Lebanese artist Ayman Baalbaki; the paintings of everyday life by Chinese painter Liu Xiadong; and American artist Amy Bennett’s dramatic and mysterious landscapes. In all, an extraordinarily gorgeous and provocative art book inviting repeated immersions. --Donna Seaman
"About this title" may belong to another edition of this title.