The Iron Towns. Once the furnace heart of industrial England, now the valley is home only to fading dreams. Twenty years ago, Liam, Dee Dee, Goldie and Mark had life stretching ahead of them: dreams of stardom, young marriages, money in their pockets. None of them can undo what made it all unravel. Now Liam is playing out the end of a modest career at Irontown FC. As the club limps towards relegation and liquidation, Liam's mind turns to history - and the past weighs heavily in the Iron Towns. The old steelworks rust, apple trees grow up through the abandoned factory floors and the land is haunted again by legends of the ancient kingdom of Mercia: Saxon princes, witches on the Heath, older myths creeping back to the edge of consciousness. But it is more recent legends that fill Liam's mind: the great footballers tattooed across his body, images of famous cup finals, moments etched in the collective memory ...could redemption, greatness even, still wait for Liam and his friends, here among the crumbling estates and old dockyards?
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Anthony Cartwright was born in Dudley in 1973. His first novel The Afterglow won a Betty Trask Award and was shortlisted for several other literary prizes; his second novel Heartland was shortlisted for the Commonwealth Writers' Prize and was adapted for BBC Radio 4's Book at Bedtime; his third novel How I Killed Margaret Thatcher was shortlisted for the Gordon Burn Prize and was a Fiction Uncovered 2013 selection. His collaborative novel with Gianluca Favetto, Il giorno perduto (The Lost Day), was published in Italy in 2015. He worked as an English teacher in schools in London and the Midlands for over ten years and is currently a First Story writer-in-residence at two schools. He lives in London with his wife and son.
A gritty, moving elegy for an abandoned, once-thriving section of society, and the best football novel since The Damned United. -- John Harding * Daily Mail * Accomplished...Cartwright's pacing is expert, restrained and skilful - he runs the game from deep, knocking raking passes into the right areas of the pitch. The story behind Goldie's imprisonment might, in less confident hands, have been withheld from the reader until the end of the novel. Instead we are allowed it at the midpoint: this is not a book that yearns for relentless tension, but the subtler pleasures of texture and flow..In places the prose becomes almost visionary, reminiscent of the contemporary re-animation of Blakean themes in Jez Butterworth's Jerusalem...Cartwright achieves something bold in Iron Towns: a fictional enactment of communal identity and shared culture. -- Mark Blacklock * Guardian * An elegiac tale that mixes myth and melodrama to dazzling effect. -- Anthony Cummins * Metro * Cartwright has written that rarest of books: a first-class sports novel, and you don't have to be a fan: while he endows football with a mythic status, the afflicted characters and post-industrial backdrop of his tense narrative are only too real * Mail on Sunday * Wonderfully vivid, gritty and compassionate * Tablet * Iron Towns is one of those rare things - a book that lives up to its ambitions, and those ambitions are big. It's a dense but tender portrait of a world that few bother to notice, much less write books about. I loved the layering of the mythic and the prosaic, the intimate and the broad. An impressive and distinctive novel -- Catherine O'Flynn A writer with a wonderful ear ... and an unblinking sense of Britain as it is today. Anthony Cartwright's patient, attentive storytelling shines a glowing light on areas of our common experience that the English novel usually consigns to darkness -- Jonathan Coe Praise for Heartland: This is what fiction should be and what readers want it to be: passionately engaged. The ambition and achievement shine forth from every sentence -- David Peace A talented and thoughtful writer -- Carol Birch An impressive novel, glimpsed through the prism of a pair of football matches -- DJ Taylor
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Burgundy Cloth Boards. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. Novel set in a declining valley among rusting steelworks and a failing football team. 280pp. Gilt lettering to spine. Minimal lean to spine, otherwise near fine copy. Unclipped DJ has minimal shelfwear, otherwise near fine. Signed by the author without dedication to the title page. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author(s). Book. Seller Inventory # 009893
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Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Jacket by Peter Dyer (illustrator). 1st Edition. First edition, first impression with full number line. SIGNED, DATED AND INSCRIBED BY THE AUTHOR, IN BLACK PEN, ON TITLE PAGE 'To Ruthie, Many thanks for all your work on Iron Towns. Hope you're happy with the finished work - I am! 19/5/16. Anthony Cartwright'. Some minuscule edge wear to top and bottom of jacket and spine, not price clipped (£12.99), no other inscriptions, internally clean tight and square, overall a vg++ copy, looks unread. 280pp. The Iron Towns. Once the furnace heart of industrial England, now the valley is home only to fading dreams. Twenty years ago, Liam, Dee Dee, Goldie and Mark had life stretching ahead of them, dreams of stardom, young marriages, money in their pockets. None of them can undo what made it all unravel. Now Liam is playing out the end of a modest career at Irontown FC. As the club limps towards relegation and liquidation, Liam's mind turns to history and the past weighs heavily in the Iron Towns. The old steelworks rust, apple trees grow up through the abandoned factory floors and the land is haunted again by legends of the ancient kingdom of Mercia. Saxon princes, witches on the Heath, older myths creeping back to the edge of consciousness. But it is more recent legends that fill Liam's mind, the great footballers tattooed across his body, images of famous cup finals, moments etched in the collective memory, could redemption, greatness even, still wait for Liam and his friends, here among the crumbling estates and old dockyards? Quite scarce signed. Signed by Author(s). Seller Inventory # 008262
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