Architecture Filmmaking investigates how the field of architecture utilizes the practice of filmmaking in research, teaching, and practice, and explores the consequences of this interdisciplinary exchange. While architecture and filmmaking have clearly distinct disciplinary outputs, and filmmaking is a much younger art than architecture, the intersection between them is less defined. This book investigates the ways in which architectural researchers, teachers of architecture, their students and practicing architects, filmmakers and artists are using filmmaking uniquely in their practice. The authors’ adept analysis presents a contribution to the debates surrounding interdisciplinary, multidisciplinary, and transdisciplinary methodologies in the emerging field of architecture filmmaking research.
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Igea Troiani (PhD) is an architect-filmmaker and professor of architecture at Xi’an Jiaotong-Liverpool University in Suzhou, China. She is the coeditor of The Politics of Making and Architecture Filmmaking and founder and editor-in-chief of the peer-reviewed journal Architecture and Culture.
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