Sarajevo Roses is Rory Waterman’s second collection of poems. From the start we are in the company of a poet on the move. On sleeper trains, in cars and on foot, Waterman takes us into Mediterranean Europe, to Palma’s Bellver Castle, to Venice, to Krujė, to the Italian ghost-town Craco, and to St Peter’s Basilica in Vatican City, where ‘selfie-sticks dance before us at the altar’. Sarajevo’s ‘neatened muddle of terracotta and concrete’ is twinned with the ‘church spires and rain-bright roofs’ of the poet’s former hometown, Lincoln.
The Sarajevo rose of the book’s title—a mortar crater filled with red resin, in remembrance—is less an overarching symbol here than one example of the past inscribed upon the present—culturally in our architecture, individually on our bodies—and of the instinct to preserve wounds as a mark of respect, or warning. Surrounded by the war-shaped, memorial landscapes of Europe, the poet is faced by those smaller wars and memorials one carries within, marks left by lovers, friends, relations, and past selves.
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Rory Waterman was born in Belfast in 1981, grew up in rural Lincolnshire, and lives in Nottingham, where he is Senior Lecturer in English at Nottingham Trent University. His first collection of poetry, Tonight the Summer’s Over, was a Poetry Book Society Recommendation and was shortlisted for the Seamus Heaney Prize. He is also the editor of W.H. Davies, The True Traveller.
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Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Shortlisted for the 2019 Ledbury Forte Poetry Prize for Second Collections Sarajevo Roses is Rory Waterman's second collection of poems. From the start we are in the company of a poet on the move. On sleeper trains, in cars and on foot, Waterman takes us into Mediterranean Europe, to Palma's Bellver Castle, to Venice, to Krujė, to the Italian ghost-town Craco, and to St Peter's Basilica in Vatican City, where 'selfie-sticks dance before us at the altar'. Sarajevo's 'neatened muddle of terracotta and concrete' is twinned with the 'church spires and rain-bright roofs' of the poet's former hometown, Lincoln. The Sarajevo rose of the book's title - a mortar crater filled with red resin, in remembrance - is less an overarching symbol here than one example of the past inscribed upon the present - culturally in our architecture, individually on our bodies - and of the instinct to preserve wounds as a mark of respect, or warning. Surrounded by the war-shaped, memorial landscapes of Europe, the poet is faced by those smaller wars and memorials one carries within, marks left by lovers, friends, relations, and past selves. Seller Inventory # LU-9781784104085
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Paperback. Condition: New. Shortlisted for the 2019 Ledbury Forte Poetry Prize for Second Collections Sarajevo Roses is Rory Waterman's second collection of poems. From the start we are in the company of a poet on the move. On sleeper trains, in cars and on foot, Waterman takes us into Mediterranean Europe, to Palma's Bellver Castle, to Venice, to Krujė, to the Italian ghost-town Craco, and to St Peter's Basilica in Vatican City, where 'selfie-sticks dance before us at the altar'. Sarajevo's 'neatened muddle of terracotta and concrete' is twinned with the 'church spires and rain-bright roofs' of the poet's former hometown, Lincoln. The Sarajevo rose of the book's title - a mortar crater filled with red resin, in remembrance - is less an overarching symbol here than one example of the past inscribed upon the present - culturally in our architecture, individually on our bodies - and of the instinct to preserve wounds as a mark of respect, or warning. Surrounded by the war-shaped, memorial landscapes of Europe, the poet is faced by those smaller wars and memorials one carries within, marks left by lovers, friends, relations, and past selves. Seller Inventory # LU-9781784104085
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Paperback. Condition: new. Paperback. Sarajevo Roses is Rory Waterman's second collection of poems. From the start we are in the company of a poet on the move . On sleeper trains, in cars and on foot, Waterman takes us into Mediterranean Europe, to Palma's Bellver Castle, to Venice, to Kruje, to the Italian ghost-town Craco, and to St Peter's Basilica in Vatican City, where `selfie-sticks dance before us at the altar'. Sarajevo's `neatened muddle of terracotta and concrete' is twinned with the `church spires and rain-bright roofs' of the poet's former hometown, Lincoln. The Sarajevo rose of the book's title - a mortar crater filled with red resin, in remembrance - is less an overarching symbol here than one example of the past inscribed upon the present - culturally in our architecture, individually on our bodies - and of the instinct to preserve wounds as a mark of respect, or warning. Surrounded by the war-shaped, memorial landscapes of Europe, the poet is faced by those smaller wars and memorials one carries within, marks left by lovers, friends, relations, and past selves. Beautifully formal and engaged, this book celebrates individual, collective and European identity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781784104085
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # BD-9781784104085
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Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR009371863
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